Mai

“Suspending moral judgment is not the immorality of the novel; it is its morality. The morality that stands against the ineradicable human habit of judging instantly, ceaselessly, and everyone; of judging before, and in the absence of, understanding. From the viewpoint of the novel's wisdom, that fervid readiness to judge is the most detestable stupidity, the most pernicious evil. Not that the novelist utterly denies that moral judgment is legitimate, but that he refuses it a place in the novel. If you like, you can accuse Panurge of cowardice, accuse Emma Bovary, accuse Rastignac—that's your business; the novelist has nothing to do with it.”
― Milan Kundera, Testaments Betrayed: An Essay in Nine Parts

“She wears strength and darkness equally well,
The girl has always been half goddess, half hell”
― Nikita Gill, Fierce Fairytales: Poems and Stories to Stir Your Soul

“The truth is that we will learn nothing from our sadness, our suffering, our disappointments or our failures unless we give ourselves time to experience them to the full, reflect on them, learn from them or, in modern parlance, process them.”
― Hugh Mackay, The Good Life

“Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes).”
― Milan Kundera, Immortality