Jenny

“When you investigate a crime in real time, on air, you have this problem of reverb. The reporting you do today will influence the interviews and responses you get tomorrow, because your subject will have heard your episode, and will know your doubts, and suspicions, and theories, and thoughts. They will know what others have told you. And it will influence what they in turn tell you. That’s fine for fiction, but it’s a serious problem from a journalistic standpoint, the telling of a story influencing the story as it’s unfolding. It’s bait and switch. It’s unfair to the listener. You have your footprints and fingerprints all over the story in a very postmodern way. The risk with that—the reason news organizations don’t do it—is that you’ll find inconsistencies. You’ll find people lied to you. You’ll find you overlooked a piece of information, and you may have to reassess or revamp your story. I’m not saying it’s unethical per se, just that there are these potential pitfalls.—Mark Pattinson, journalism professor, on the ethics of true crime podcasting”
― Loreth Anne White, Beneath Devil's Bridge

“Every time I consider myself an adult, I think back five years to when I also thought of myself as an adult. And I’m aghast at how staggeringly blind I was. Maybe what I hold to be true right now will seem just as ignorant when I reflect back on it years from now.”
― Gregg Andrew Hurwitz, Prodigal Son

“She had used all the tricks in the book to encourage him, to convince him, to cajole him into looking after himself. But it turned out that, all along, the only real motivation he needed to change was to start having sex with her mum. You have to be so careful what you wish for.”
― Richard Osman, The Man Who Died Twice

“The woman didn’t close her curtains?’ Banks commented. ‘Surely that was asking for it in a way?’ Jenny shot him a cold glance. ‘We’ve already been through that.’ ‘And I did say that women should be careful not to appear to be inviting men to sex.”
― Peter Robinson, Gallows View