Jenny

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The Retired Assas...
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The Bookshop by t...
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The Handsome Man'...
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Jul 14, 2026 10:57AM

 
Book cover for The Vivaldi Cipher (Vatican Secret Archive #1)
In fact, the famous masks unique to Venetians were introduced not to ward off the plague, as many later believed, but to officially disguise the wearer’s identity—thus permitting anyone, noble or peasant, to do or say whatever one pleased. ...more
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L.J. Ross
“He lifted one tentative hand to cradle her face and watched her eyes darken. Another hand turned her, lifted her face to bestow the gentlest of kisses. As her hands lifted to frame his face, tracing the rough stubble she found there, she felt his momentary shock and it made her reckless. Her fingers arrowed into his black hair to pull him closer, urging him to go on. There was a battle waging inside him. Somewhere in the back of his mind, he felt the desperation in the kiss, could still taste the salty tears on her skin.”
L.J. Ross, Holy Island

D.E. Stevenson
“A particular feature of Stevenson’s oeuvre is the way in which characters that appear in one book may crop up in another context in a quite different title. Readers like this because in a way it reflects the way the world is; our lives are not linear narratives–they are meandering stories that take place in diverse settings and that are peopled by characters who drop in and out at various stages.”
D.E. Stevenson, Winter and Rough Weather

T.J. Klune
“But I allow him to dream of such things because he’s a child, and who knows what the future will bring? Change often starts with the smallest of whispers. Like-minded people building it up to a roar.”
T.J. Klune, The House in the Cerulean Sea

Clare Pooley
“Perhaps the compulsion to fill every inch of space was because it made him feel less alone,”
Clare Pooley, The Authenticity Project

Hannah Beckerman
“Each twisted preference designed to destabilise my sense of identity, to shape me into the wife he wanted me to be: compliant and isolated, uncertain and dependent. A wife who mirrored his interests, as though he were Pygmalion and I Galatea, carved from ivory, every sweep of my desires a product of his creation. A woman who didn’t dare leave the house for too long in case I missed his calls: those regular daily interactions designed to keep me at home, entirely reliant on him.”
Hannah Beckerman, The Forgetting

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