“Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.”
― The Sandman, Vol. 9: The Kindly Ones
― The Sandman, Vol. 9: The Kindly Ones
“This fear of maleness that they inspire estranges men from every female in their lives to greater or lesser degrees, and men feel the loss. Ultimately, one of the emotional costs of allegiance to patriarchy is to be seen as unworthy of trust. If women and girls in patriarchal culture are taught to see every male, including the males with whom we are intimate, as potential rapists and murderers, then we cannot offer them our trust, and without trust there is no love.”
― The Will to Change: Men, Masculinity, and Love
― The Will to Change: Men, Masculinity, and Love
“Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that."
"Richard. You wrote a whole book."
"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"
"Yes. I suppose we do."
"You kissed me beside a pond."
"Ten thousand years ago."
"It's still happening.”
― The Hours
"Richard. You wrote a whole book."
"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"
"Yes. I suppose we do."
"You kissed me beside a pond."
"Ten thousand years ago."
"It's still happening.”
― The Hours
“One often feels exalted, expanded, in his presence. He is not one of those egotists who miniaturize others. He is the opposite kind of egotist, driven by grandiosity rather than greed, and if he insists on a version of you that is funnier, stranger, more eccentric and profound than you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and for a while after you've left him that he alone sees through to your essence, weighs your true qualities (not all of which are necessarily flattering--a certain clumsy, childish rudeness is part of his style), and appreciates you more fully than anyone else ever has.”
― The Hours
― The Hours
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