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We each have a role to play. Don’t let yourself ever believe that yours is less important because it’s done in the shadows.”
“Someday we will be more than words in the dark.”
― Snow Like Ashes
― Snow Like Ashes
“How could I possibly claim to love her if I lock her up? I have to trust her. If I’m going to ever earn back her trust, I have to give her the same.”
― With These Last Breaths
― With These Last Breaths
“Thing is, though, life is inherently risky. Pain exists, and there is no way to avoid it entirely.”
― From These Dark Depths
― From These Dark Depths
“Do you ever feel as if you wear armor, day after day? That when people look at you, they see only the shine of steel that you’ve so carefully encased yourself in? They see what they want to see in you—the warped reflection of their own face, or a piece of the sky, or a shadow cast between buildings. They see all the times you’ve made mistakes, all the times you’ve failed, all the times you’ve hurt them or disappointed them. As if that is all you will ever be in their eyes. How do you change something like that? How do you make your life your own and not feel guilt over it?”
― Divine Rivals
― Divine Rivals
“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again.”
― Heir of Fire
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