Montgomery Webster

“I observed the force of communal rhythms in action when I watched Archbishop Desmond Tutu conduct public hearings for the Truth and Reconciliation Commission in South Africa in 1996. These events were framed by collective singing and dancing. Witnesses recounted the unspeakable atrocities that had been inflicted on them and their families. When they became overwhelmed, Tutu would interrupt their testimony and lead the entire audience in prayer, song, and dance until the witnesses could contain their sobbing and halt their physical collapse. This enabled participants to pendulate in and out of reliving their horror and eventually to find words to describe what had happened to them.”
― Bessel van der Kolk, The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma

“Four basic factors are present in every story, with varying degrees of emphasis: milieu, idea, character, and event.”
― Orson Scott Card, Characters & Viewpoint

“Quite a few people became depressed once the crime was solved. It seemed so pointless. If the culprit had at least had a strong motive, it might have been easier to understand. Once it was all over, people felt as if they had been left in limbo. Yes, they did. Many people expressed doubt as to whether the man who committed suicide really was the culprit.”
― Riku Onda, The Aosawa Murders

“In stage four, once again they’re crowded around me—but this time it’s to tell me what stocks I should buy. Even the dentist has three or four tips, and in the next few days I look up his recommendations in the newspaper and they’ve all gone up. When the neighbors tell me what to buy and then I wish I had taken their advice, it’s a sure sign that the market has reached a top and is due for a tumble.”
― Peter Lynch, One Up On Wall Street: How To Use What You Already Know To Make Money In The Market