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“Sōseki is an unusually intimate writer— the public world is only his concern by implication— and in Japan (again as in the England that I know) intimacy is shown not by all that you can say to someone else, but by all that you don’t need to say.”
― The Gate
― The Gate
“how every character is effectively a tiny figure in a suffocating world of associations and obligations; where many an American novel might send its protagonist out into the world to make his own destiny, in Sōsuke’s Japan he cannot move for all his competing (and unmeetable) responsibilities to his aunt, his younger brother, his wife, and society itself.”
― The Gate
― The Gate
“They kept on together by force of a steadfast mixture of resignation and forbearance, seemingly without the balm of hope or any prospect for a better future. As for the past, they rarely spoke of it. Indeed at times they appeared to shun even the mere mention of bygone days, as if by by tacit agreement.”
― The Gate
― The Gate
“How to adjust to a world in which the climax of a scene— and sometimes the central event— is going to sleep? We’re going to have to adapt, maybe even invert our sense of priority and our assumptions about what constitutes drama, as most of us foreigners have to do when traveling to Japan.”
― The Gate
― The Gate
“But it speaks for an inner world— and again this is evident in Murakami— that sits in a different dimension from the smooth-running, flawlessly attentive, and all but anonymous machine that keeps public order moving forward so efficiently in Japan.”
― The Gate
― The Gate
Japanese Literature
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A group for people who enjoy literature written by Japanese authors, the arts, culture, and history of Japan. May 2026: Dragon Palace by Hiromi Kawa ...more
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