Noel Kelly

“Without a doubt, it was a book for when the birds had flown south, the wood was stacked by the fireplace, and the fields were white with snow; that is, for when one had no desire to venture out and one’s friends had no desire to venture in.”
― Amor Towles, A Gentleman in Moscow

“But really, why would one bother to imitate anything so vulnerable and unreliable, or with such built-in obsolescence: a central processing unit that could be utterly destroyed because some ancillary mechanical part – the heart, say, or the liver – suffered a temporary interruption? It was like losing a Cray supercomputer and all of its memory files because a plug needed changing.”
― Robert Harris, The Fear Index

“There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.”
― Dorothy L. Sayers, Five Red Herrings

“How then can we tell what is true, sir?’ Felsted demanded as he poured the tea. ‘By thinking,’ Wilde said. ‘And by challenging the books you read. By getting dusty in archives. By listening to the evidence of archaeologists and palaeontologists. By using your eyes and ears and brains. And most of all by doubting everything I tell you until you have proved it for yourself.”
― Rory Clements, Corpus