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Madelyn Blake
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“The first thing I noticed when I woke up was that I was covered in blood.
The second thing I noticed was that this didn’t bother me the way it should have.
I didn’t feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away.
My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand.
The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it weren’t for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern.
No. Not a pattern. Words.
PLAY ME.
My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingers—still warm—and pressed play. A male voice started to speak.
"Do I have your attention?" the voice said.
I knew that voice. But I couldn’t believe I was hearing it.”
― The Retribution of Mara Dyer
The second thing I noticed was that this didn’t bother me the way it should have.
I didn’t feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away.
My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand.
The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it weren’t for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern.
No. Not a pattern. Words.
PLAY ME.
My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingers—still warm—and pressed play. A male voice started to speak.
"Do I have your attention?" the voice said.
I knew that voice. But I couldn’t believe I was hearing it.”
― The Retribution of Mara Dyer
“I would love to believe that when I die I will live again, that some thinking, feeling, remembering part of me will continue. But as much as I want to believe that, and despite the ancient and worldwide cultural traditions that assert an afterlife, I know of nothing to suggest that it is more than wishful thinking. I want to grow really old with my wife, Annie, whom I dearly love. I want to see my younger children grow up and to play a role in their character and intellectual development. I want to meet still unconceived grandchildren. There are scientific problems whose outcomes I long to witness—such as the exploration of many of the worlds in our Solar System and the search for life elsewhere. I want to learn how major trends in human history, both hopeful and worrisome, work themselves out: the dangers and promise of our technology, say; the emancipation of women; the growing political, economic, and technological ascendancy of China; interstellar flight. If there were life after death, I might, no matter when I die, satisfy most of these deep curiosities and longings. But if death is nothing more than an endless dreamless sleep, this is a forlorn hope. Maybe this perspective has given me a little extra motivation to stay alive. The world is so exquisite, with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence. Far better, it seems to me, in our vulnerability, is to look Death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides.”
― Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium
― Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium
“Have you fallen in love with the wrong person yet?'
Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself."
..."At least," she said, "you don't have to worry about rejection, Jace Wayland."
"Not necessarily. I turn myself down occasionally, just to keep it interesting.”
― City of Bones
Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself."
..."At least," she said, "you don't have to worry about rejection, Jace Wayland."
"Not necessarily. I turn myself down occasionally, just to keep it interesting.”
― City of Bones
“We came to see Jace. Is he alright?"
"I don't know," Magnus said. "Does he normally just lie on the floor like that without moving?”
― City of Ashes
"I don't know," Magnus said. "Does he normally just lie on the floor like that without moving?”
― City of Ashes
“Atque in pepetuum, frater, ave atque vale,” he whispered. The words of the poem had never seemed so fitting: Forever and ever, my brother, hail and farewell.”
― Clockwork Princess
― Clockwork Princess
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Madelyn’s 2025 Year in Books
Take a look at Madelyn’s Year in Books, including some fun facts about their reading.
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