Lauren

“Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and embroidered all over with very small turquoise-coloured beads which varied a little in colour and played in green, light blue, and ultramarine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my own arm than it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colours, the duet between the turquoise and the 'nègre' - that quick, sweet, brownish black, like peat and black pottery, of the Native's skin - that had created the life of the bracelet.”
― Karen Blixen, Out of Africa

“He conveyed a strange impression of being in safety, and completely secure. He had a courteous little manner with him, and smiled and nodded, as I pointed out the hills and the tall trees to him, as if he were interested in everything, and incapable of surprise at anything. I wondered if this consistency was produced by an entire ignorance of the evil of the world, or by a deep knowledge and acceptance of it.”
― Karen Blixen, Out of Africa

“[T]o some people ignorance is a sleeping mask they mistake for corrective lenses.”
― Anthony Marra, The Tsar of Love and Techno

“We were so awkward, morning pimples in the mirror, hair where we never wanted it, and we thought of the lung cancer X-ray that was the album art for Surfin' Safari, considered the ways a body betrays its soul, and wondered if growing up was its own kind of pathology. We fell in and out of love with fevered frequency. We constantly became people we would later regret having been.”
― Anthony Marra, The Tsar of Love and Techno: Stories