Elissa

“When readers who are White, middle class, cisgender, heterosexual, and able-bodied enter the fantastic dream, they are empowered and afforded a sense of transcendence that can be elusive within the real world. If this is the case, then readers and hearers of fantastic tales who have been endarkened and Othered by the dominant culture can never be plausible conquering heroes nor prizes to be won in the fantastic. Unless the tale is meant to be comedic, tongue-in-cheek, a wink and a nod that breaks the fourth wall and assures audiences that this is a parody of the fantastic, not the real story . . . . . . the implicit message that readers, hearers, and viewers of color receive as they read these texts is that we are the villains. We are the horde. We are the enemies.

(Page 23).”
― Ebony Elizabeth Thomas, The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games