Sandhya Jain-Patel

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A Curse for Samhain
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Brimstone
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“Why is bedtime so hard for many families? Because the needs of parents and children clash. To parents, bedtime is the time they finally get to separate from their children and have a little time to themselves. To children, bedtime is the time they’re forced to separate from their parents and lie in the dark by themselves. On top of that, children are exhausted and wound up, and parents are exhausted and fed up. No wonder it’s the single most challenging time in most families.”
Laura Markham, Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting

“Whenever we get “triggered,” we’ve stumbled on something that needs healing. Seriously. Any time your child pushes your buttons, he’s showing you an unresolved issue from your own childhood.”
Laura Markham, Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting

“you don’t raise your voice? When kids are scared, they go into fight-or-flight. The learning centers of the brain shut down. Your child can’t learn when you yell. It’s always more effective to intervene calmly and compassionately. Besides, when you yell, you lose credibility with your child. Kids become less open to your influence.”
Laura Markham, Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting

Anne Lamott
“She said that sometimes she uses a formula when writing a short story, which goes ABDCE, for Action, Background, Development, Climax, and Ending. You begin with action that is compelling enough to draw us in, make us want to know more. Background is where you let us see and know who these people are, how they’ve come to be together, what was going on before the opening of the story. Then you develop these people, so that we learn what they care most about. The plot—the drama, the actions, the tension—will grow out of that. You move them along until everything comes together in the climax, after which things are different for the main characters, different in some real way. And then there is the ending: what is our sense of who these people are now, what are they left with, what happened, and what did it mean?”
Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

Cathy Park Hong
“Hollywood, an industry that shapes not only our national but global memories, has been the most reactionary cultural perpetrator of white nostalgia, stuck in a time loop and refusing to acknowledge that America’s racial demographic has radically changed since 1965. Movies are cast as if the country were still “protected” by a white supremacist law that guarantees that the only Americans seen are carefully curated European descendants.”
Cathy Park Hong, Minor Feelings: An Asian American Reckoning

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