Bomi Johnson

“With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music

Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes

The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth

From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form

It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within

The moon lives in the lining of your skin.”
― Pablo Neruda

“He who jumps for the moon and gets it not leaps higher than he who stoops for a penny in the mud.”
― Howard Pyle, The Merry Adventures of Robin Hood

“I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.”
― Virginia Woolf

“But I don’t want to go among mad people," Alice remarked.
"Oh, you can’t help that," said the Cat: "we’re all mad here. I’m mad. You’re mad."
"How do you know I’m mad?" said Alice.
"You must be," said the Cat, "or you wouldn’t have come here.”
― Lewis Carroll, Alice in Wonderland