Christopher

“Paddy was just one of many wanderers on strange, lonely quests, striking out on mysterious missions, most of whom had left no traces.”
― Nick Hunt, Walking the Woods and the Water: In Patrick Leigh Fermor's footsteps from the Hook of Holland to the Golden Horn

“In these days of visas and identification cards it is impossible to travel without leaving a trail that can, with patience, bribery, and access to public records, be picked up. In the happy years between 1925 and 1930 you could talk yourself over any western European frontier, so long as you looked respectable and explained your movements and business with a few details that could be checked; you could treat frontier police as men of decency and common sense: two virtues that they could then afford to indulge. But now unless a traveller has some organization – subversive or benevolent – to help him, frontiers are an efficient bar to those who find it inconvenient or impossible to show their papers; and even if a frontier be crossed without record, there isn’t the remotest village where a man can live without justifying himself and his reasons for being himself. Thus Europe, for me, was a mere trap with a delayed action.”
― Geoffrey Household

“After dinner, Sammie Franklin and he got into an argument about vermouths. Sammie said the drier the vermouth, the more one had to put into a martini, although he admitted he was not a martini drinker. Bruno said he was not a martini drinker either, but he knew better than that. The argument went on even after his grandmother said good night and left them. They were on the upstairs terrace in the dark, his mother in the glider and he and Sammie standing by the parapet. Bruno ran down to the bar for the ingredients to prove his point. They both made martinis and tasted them, and though it was clear Bruno was right, Sammie kept holding out, and chuckling as if he didn't quite mean what he said either, which Bruni found insufferable”
― Patricia Highsmith, Strangers on a Train

“It would be good now, I thought, to be in Paris. The afternoon city heat would have gone. It would be good to sit under the trees near the marionette theatre. It would be quiet there now. There would be no one there but a student or two reading. There you could listen to the rustle of leaves unconscious of the pains of humanity in labour, of a civilisation hastening to its own destruction. There, away from this brassy sea and blood-red earth, you could contemplate the twentieth-century tragedy unmoved; unmoved except by pity for mankind fighting to save itself from the primeval ooze that welled from its own subconscious being.”
― Eric Ambler, Epitaph for a Spy