Giang Le
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Giang Le

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The Ethics of Dis...
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Madeline Miller
“Other men fought bravely, but they flinched from war’s true nature. Only I had the stomach to see what must be done... You promise mercy to spies so they will spill their story, then you kill them after. You beat men who mutiny. You coax heroes from their sulks. You keep spirits high at any cost. When the great hero Philoctetes was crippled with a festering wound, the men lost their courage over it. So I left him behind on an island and claimed he had asked to be left. Ajax and Agamemnon would have battered at Troy’s locked gates until they died, but it was I who thought of the trick of the giant horse, and I spun the story that convinced the Trojans to pull it inside. I crouched in the wooden belly with my picked men, and if any shook with terror and strain, I put my knife to his throat. When the Trojans finally slept, we tore through them like foxes among soft-feathered chicks.”
Madeline Miller, Circe

“If you cannot say what you mean, your majesty, you will never mean what you say and a gentleman should always mean what he says.”
Reginald Fleming 'R.J.' Johnston - The Last Emperor

Anna Comnena
“In the course of this account, partly because of the nature of the history and partly because of the great importance of these events, I have forgotten that it is my father whose successes I am writing of. Often, in my desire not to incur suspicion, in the composition of my history I hurry over affairs that concern him, neither exaggerating nor adding my personal observations. I wish I were detached and free from this feeling that I have for him, so that seizing on this vast material I might demonstrate how much my tongue, when release from all restraint, could delight in noble deeds. But the natural love I have for him overshadows my personal wishes: I would not like the public to imagine that I am inventing marvels in my eagerness to speak about my own family. On many occasions when I recalled the glorious deeds of my father, if I had written down and given a full account of all the troubles he endured, I would have wept away my very soul, and I could not have passed over the story without lamentation and mourning. But so far as that part of my history is concerned, I must avoid the subtleties of rhetoric, and like some unfeeling stone or marble pass quickly over his misfortunes. If I wanted to win a deserved reputation for loving him, I should have included his disasters in an oath, like the young man who swore: “No Agelaos, by Zeus and by my father’s woes”. For I am certainly no worse than that young man. But now we must leave my father’s sufferings; I alone must marvel at them and weep, but the reader must return to the narrative.”
Anna Comnena, The Alexiad

Amor Towles
“For pomp is a tenacious force. And a wily one too.
How humbly it bows its head as the emperor is dragged down the steps and tossed in the street. But then, having quietly bided its time, while helping the newly appointed leader on with his jacket, it compliments his appearance and suggests the wearing of a medal or two. Or, having served him at the formal dinner, it wonders aloud if a taller chair might not have been more fitting for a man with such responsibilities.”
Amor Towles, A Gentleman in Moscow
tags: pomp

Stephen  King
“...stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position.”
Stephen King, On Writing: A Memoir of the Craft

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