Lela

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Madness on the Co...
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Nettle & Bone
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In the Fold
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Phoebe Waller-Bridge
“Women are born with pain built in. It's our physical destiny. Period pains, sore boobs, child birth, you know. We carry it within ourselves throughout our lives. Men don't. They have to seek it out. “Women are born with pain built in,” she says. “It’s our physical destiny: period pains, sore boobs, childbirth, you know. We carry it within ourselves throughout our lives, men don’t. They have to seek it out, they invent all these gods and demons and things just so they can feel guilty about things, which is something we do very well on our own. And then they create wars so they can feel things and touch each other and when there aren’t any wars they can play rugby.
We have it all going on in here inside.”
Phoebe Waller-Bridge, Fleabag: The Scriptures

R.F. Kuang
“This is how colonialism works. It convinces us that the fallout from resistance is entirely our fault, that the immoral choice is resistance itself rather than the circumstances that demanded it.”
R.F. Kuang, Babel

Ted Chiang
“But I guess he has a point about how good-looking people are in commercials versus in real life. It's not that they look better than people in real life, but they look good in a different way.”
Ted Chiang, Liking What You See: A Documentary

Phoebe Waller-Bridge
“I think you know how to love better than any of us. That's why you find it all so painful.”
Phoebe Waller-Bridge, Fleabag: The Scriptures
tags: love

Ted Chiang
“Girls have always been told that their value is tied to their appearance; their accomplishments are always magnified if they're pretty and diminished if they're not. Even worse, some girls get the message that they can get through life relying on just their looks, and then they never develop their minds. I wanted to keep Tamera away from that sort of influence.

Being pretty is fundamentally a passive quality; even when you work at it, you're working at being passive. I wanted Tamera to value herself in terms of what she could do, both with her mind and with her body, not in terms of how decorative she was. I didn't want her to be passive, and I'm pleased to say that she hasn't turned out that way.”
Ted Chiang, Liking What You See: A Documentary

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