Kate Bennett

“Woods were ringed with a colour so soft, so subtle that it could scarcely be said to be a colour at all. It was more the idea of a colour - as if the trees were dreaming green dreams or thinking green thoughts.”
― Susanna Clarke, Jonathan Strange & Mr Norrell

“What I mean is that, if a lot of queer energy, say around adolescence, goes into what Barthes calls “le vouloir-être-intelligent” (as in “If I have to be miserable, at least let me be brainier than everybody else”), accounting in large part for paranoia’s enormous prestige as the very signature of smartness (a smartness that smarts), a lot of queer energy, later on, goes into … practices aimed at taking the terror out of error, at making the making of mistakes sexy, creative, even cognitively powerful. Doesn’t reading queer mean learning, among other things, that mistakes can be good rather than bad surprises?25”
― Eve Kosofsky Sedgwick, Novel Gazing: Queer Readings in Fiction

“Was that what it was really like to be alive? The feeling of darkness dragging you forward?
How could they live with it? And yet they did, and even seemed to find enjoyment in it, when surely the only sensible course would be to despair. Amazing. To feel you were a tiny living thing, sandwiched between two cliffs of darkness. How could they stand to be alive?”
― Terry Pratchett, Reaper Man

“He said that there was death and taxes, and taxes was worse, because at least death didn’t happen to you every year.”
― Terry Pratchett, Reaper Man