Kate Bennett

“The jackal with one eye that looks back and one that regards the path you consider taking. In his jaws are pieces of the past he delivers to you, and when all of that time is fully discovered it will prove to have been already known.”
― Michael Ondaatje, The English Patient

“What I mean is that, if a lot of queer energy, say around adolescence, goes into what Barthes calls “le vouloir-être-intelligent” (as in “If I have to be miserable, at least let me be brainier than everybody else”), accounting in large part for paranoia’s enormous prestige as the very signature of smartness (a smartness that smarts), a lot of queer energy, later on, goes into … practices aimed at taking the terror out of error, at making the making of mistakes sexy, creative, even cognitively powerful. Doesn’t reading queer mean learning, among other things, that mistakes can be good rather than bad surprises?25”
― Eve Kosofsky Sedgwick, Novel Gazing: Queer Readings in Fiction

“Once upon a time, there were two moons, who were sisters.

Nitid was the goddess of tears and life, and the sky was hers. No one worshipped Ellai but secret lovers.”
― Laini Taylor, Daughter of Smoke & Bone

“Was that what it was really like to be alive? The feeling of darkness dragging you forward?
How could they live with it? And yet they did, and even seemed to find enjoyment in it, when surely the only sensible course would be to despair. Amazing. To feel you were a tiny living thing, sandwiched between two cliffs of darkness. How could they stand to be alive?”
― Terry Pratchett, Reaper Man