Kimberly

“These women lived their lives happily. They had been taught, probably by loving parents, not to exceed the boundaries of their happiness regardless of what they were doing. But therefore they could never know real joy. Which is better? Who can say? Everyone lives the way she knows best. What I mean by 'their happiness' is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That's not a bad thing. Dressed in their aprons, their smiling faces like flowers, learning to cook, absorbed in their little troubles and perplexities, they fall in love and marry. I think that's great. I wouldn't mind that kind of life. Me, when I'm utterly exhausted by it all, my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life - my birth, my upbringing, everything. I feel only regret for the whole thing.”
― Banana Yoshimoto, Kitchen

“I liked myths. They weren't adult stories and they weren't children stories. They were better than than that. They just were.
Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?”
― Neil Gaiman, The Ocean at the End of the Lane

“If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.”
― Gail Honeyman, Eleanor Oliphant Is Completely Fine

“THE INVITATION
by Oriah Mountain Dreamer

It doesn't interest me what you do for a living.
I want to know what you ache for, and if you
dare to dream of meeting your heart's longing.

It doesn't interest me how old you are.
I want to know if you will risk looking like a fool
for love,
for your dreams,
for the adventure of being alive.

It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow,
if you have been opened by life's betrayals
or have become shriveled and closed from fear of future pain.

I want to know if you can sit with pain,
mine or your own,
without moving to hide it,
or fade it,
or fix it.

I want to know if you can be with joy,
mine or your own,
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us to be careful,
to be realistic,
to remember
the limitations of being human.

It doesn't interest me if the story you are telling
me is true.
I want to know if you can disappoint another to be true to yourself;
if you can bear the accusation of betrayal
and not betray your own soul;
if you can be faithless and therefore
trustworthy.

I want to know if you can see beauty even when it's not pretty,
every day,
and if you can source your own life from its presence.

I want to know if you can live with failure,
yours or mine,
and still stand on the
edge of the lake
and shout to the silver of the full moon, "yes!"

It doesn't interest me who you know, or how you came to be here.
I want to know if you will stand in the center of the fire with me and not shrink back.

It doesn't interest me where or what or with whom you have studied.
I want to know what sustains you,
from the inside,
when all else falls away.

I want to know if you can be alone
with your and if you truly like the company you keep
in the empty moments.”
― Oriah Mountain Dreamer