Jamal El

“نحن [الصحفيون] يا عزيزي ورثة الشعراء القدامى, لكي تعيش ينبغي أن تمدح أو تهجو”
― حسن أوريد, الحديث والشجن

“قالوا عنه في الغلاف الخلفي للكتاب أنه درس الصيدلة ، ثم هجرها..
لا أعتقد!
لا أعتقد أنه هجرها..
كل ما في الأمر أنه صار يتعامل مع الأبجدية بدلا من مركبات الكيمياء...
عادة ما لا أحب النصوص التي تكون فيها الأبجدية هي البطلة..
لكن قصص أحمد الديب مختلفة ، اللغة فيها بطلة ، مثل أبطال القصص والملاحم ، لكنها تتفجر أيضا رقة وعذوبة وتشير إلى أبطال القصص فتجعلهم يتوهجون أكثر...
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ثمة أنواع مختلفة من الشعر والقصائد..
أحمد الديب يكتب الشعر بالقصص...

د. أحمد خيري العمري في تعليقه على المجموعة القصصية "حكايات بعد النوم" لأحمد الديب”
― أحمد خيري العمري

“And you love her, yes. But not too much.”
“Why do you say that?”
“Because you are not mad, or wild, or grieving! You are not roaring out to choke her with your own bare hands! Which means your soul is not too mixed up with hers. And that is good. Here is my experience. Stay away from the ones you love too much. Those are the ones who will kill you. What you want to live and be happy in the world is a woman who has her own life and lets you have yours.”
― Donna Tartt, The Goldfinch

“As the years passed, new myths arose to explain the mysterious objects the strangers brought from the land of the dead. A nineteenth-century missionary recorded, for example, an African explanation of what happened when captains descended into the holds of their ships to fetch trading goods like cloth. The Africans believed that these goods came not from the ship itself but from a hole that led into the ocean. Sea sprites weave this cloth in an "oceanic factory, and, whenever we need cloth, the captain ... goes to this hole and rings a bell." The sea sprites hand him up their cloth, and the captain "then throws in, as payment, a few dead bodies of black people he has bought from those bad native traders who have bewitched their people and sold them to the white men." The myth was not so far from reality. For what was slavery in the American South, after all, but a system for transforming the labor of black bodies, via cotton plantations, into cloth?”
― Adam Hochschild, King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa