Connie Anderson

“Then Frank said, ‘Have you ever heard that when five o’clock comes, it’s martini time? We could be right in the middle of a scene, but it’s over for me, because it’s martini time. Did you ever hear that?”
― James Kaplan, Sinatra: The Chairman

“the writer said that when the music began and I started to sing, I was “honest.” That says it as I feel it. Whatever else has been said about me personally is unimportant. When I sing, I believe. I’m honest. If you want to get an audience with you, there’s only one way. You have to reach out to them with total honesty and humility. This isn’t a grandstand play on my part; I’ve discovered—and you can see it in other entertainers—when they don’t reach out to the audience, nothing happens. You can be the most artistically perfect performer in the world, but an audience is like a broad—if you’re indifferent, endsville.”
― James Kaplan, Sinatra: The Chairman

“In December, Angela Lansbury had been signed to play Raymond’s mother, the arch-villainess Eleanor Shaw Iselin. Apparently, Sinatra originally wanted Lucille Ball for the role, a fascinating casting notion, as Tom Santopietro points out: “As Ball aged, she grew into an increasingly hardened performer, losing all traces of the vulnerability that so informed her brilliant multiyear run on television’s I Love Lucy. The resulting quality of toughness would have suited the role of [Eleanor] very well, although it is anyone’s guess whether or not Ball would have felt comfortable delving into the dark recesses of [her] warped character.”
― James Kaplan, Sinatra: The Chairman

“to be all the way across the country. “Dad was on the air in the middle of a radio show broadcast live from Hollywood”
― James Kaplan, Frank: The Voice