Whitney Claypool

“It goes on,” Tuck repeated, “to the ocean. But this rowboat now, it’s stuck. If we didn’t move it out ourself, it would stay here forever, trying to get loose, but stuck. That’s what us Tucks are, Winnie. Stuck so’s we can’t move on. We ain’t part of the wheel no more. Dropped off, Winnie. Left behind. And everywhere around us, things is moving and growing and changing. You, for instance. A child now, but someday a woman. And after that, moving on to make room for the new children.”
― Natalie Babbitt, Tuck Everlasting

“For the record, I would like to point out that it is NOT being obsessive to memorize a boy's schedule so that you can accidentally bump into him. It is called being efficient.”
― Jess Rothenberg, The Catastrophic History of You and Me

“Still-there's no use trying to figure why things fall the way they do. Things just are, and fussing don't bring changes.”
― Natalie Babbitt, Tuck Everlasting

“There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold.
I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.”
― Jess Rothenberg, The Catastrophic History of You and Me