Melindam

“We are all dying, just at different speeds.”
― Hilary Mantel, The Mirror & the Light

“Margaret thought the world cruel for seeing her as the negative version of her sister, yet it was also how she came to define herself. (...) On one side she was given an inflated sense of her own value, while on the other her confidence was continually undermined by comparisons with her sister. She was very spoilt and indulged and made to feel a very special person indeed, while simultaneously being given clearly to understand that it was her sister who was important.

She remained conscious of the image of the one who wasn’t and to some extent played on it: the one who wasn’t the queen, the one who wasn't taught constitutional history, because she wasn’t the one who’d be needing it; the one who wasn’t in the first coach and wouldn’t ever be the first onto Buckingham Palace balcony; the one who wasn’t given the important duties, but was obliged to make do with the also-rans.”
― Craig Brown, Ma’am Darling: 99 Glimpses of Princess Margaret

“It is Cinderella in reverse. It is hope dashed, happiness mislaid, life mishandled. Nothing is as thrilling as they said it would be: no one is amusing, as clever, as attractive or as interesting. The sun never shines as bright as it used to, and even the fiercest thunderstorm lacks any real sense of drama or pizzaz. As the curtain falls, Group Captain Charming has left her for someone more suitable and has gone to live in France, and Buttons, in his zip-up jumpsuit, has taken up with a wearying succession of younger lovers. When Cinderella dies, her little glass slipper is put up for auction, a memento of days of hope and innocence. The catalogue entry reads: 'Only worn once.”
― Craig Brown, Ma’am Darling: 99 Glimpses of Princess Margaret

“I never gave them courage,” he said. “I was able to focus theirs.”
― Erik Larson, The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz