Maja Kojadinovic

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La carte et le te...
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Nov 06, 2020 06:51AM

 
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ایرج میرزا
“They say, that when I was born,
my mother taught me to suck the milk.
And every night beside my crib,
she taught me to sleep as soft as silk.
With a smile she pressed her lips to mine,
till my mouth with joy oversplit.
She took my hand and guided my foot,
till I learned to walk with a happy lilt.
One word, two words, then three and more...
that's how she taught me to talk.
That's why my life is part of her life,
and will remain so as long as I live”
Iraj Mirza Persian Poet

نزار قباني
“Jerusalem! My Love,My Town

I wept until my tears were dry
I prayed until the candles flickered
I knelt until the floor creaked
I asked about Mohammed and Christ
Oh Jerusalem, the fragrance of prophets
The shortest path between earth and sky
Oh Jerusalem, the citadel of laws
A beautiful child with fingers charred
and downcast eyes
You are the shady oasis passed by the Prophet
Your streets are melancholy
Your minarets are mourning
You, the young maiden dressed in black
Who rings the bells at the Nativity Church,
On sunday morning?
Who brings toys for the children
On Christmas eve?
Oh Jerusalem, the city of sorrow
A big tear wandering in the eye
Who will halt the aggression
On you, the pearl of religions?
Who will wash your bloody walls?
Who will safeguard the Bible?
Who will rescue the Quran?
Who will save Christ, From those who have killed Christ?
Who will save man?
Oh Jerusalem my town
Oh Jerusalem my love
Tomorrow the lemon trees will blossom
And the olive trees will rejoice
Your eyes will dance
The migrant pigeons will return
To your sacred roofs
And your children will play again
And fathers and sons will meet
On your rosy hills
My town
The town of peace and olives”
Nizar Qabbani

Alexander Pushkin
“Bound for your distant home"

Bound for your distant home
you were leaving alien lands.
In an hour as sad as I’ve known
I wept over your hands.
My hands were numb and cold,
still trying to restrain
you, whom my hurt told
never to end this pain.

But you snatched your lips away
from our bitterest kiss.
You invoked another place
than the dismal exile of this.
You said, ‘When we meet again,
in the shadow of olive-trees,
we shall kiss, in a love without pain,
under cloudless infinities.’

But there, alas, where the sky
shines with blue radiance,
where olive-tree shadows lie
on the waters glittering dance,
your beauty, your suffering,
are lost in eternity.
But the sweet kiss of our meeting ......
I wait for it: you owe it me .......”
Alexander Sergeyevich Pushkin

Jonathan Safran Foer
“Just how destructive does a culinary preference have to be before we decide to eat something else? If contributing to the suffering of billions of animals that live miserable lives and (quite often) die in horrific ways isn't motivating, what would be? If being the number one contributor to the most serious threat facing the planet (global warming) isn't enough, what is? And if you are tempted to put off these questions of conscience, to say not now, then when?”
Jonathan Safran Foer, Eating Animals

Jorge Luis Borges
“Let no one reduce to tears or reproach
This statement of the mastery of God,
Who, with magnificent irony, gave
Me at once both books and night

Of this city of books He pronounced rulers
These lightless eyes, who can only
Peruse in libraries of dreams
The insensible paragraphs that yield

With every new dawn. Vainly does the day
Lavish on them its infinite books,
Arduous as the arduous manuscripts
Which at Alexandria did perish.

Of hunger and thirst (a Greek story tells us)
Dies a king amidst fountains and gardens;
I aimlessly weary at the confines
Of this tall and deep blind library.

Encyclopedias, atlases, the East
And the West, centuries, dynasties
Symbols, cosmos and cosmogonies
Do walls proffer, but pointlessly.

Slow in my shadow, I the hollow shade
Explore with my indecisive cane;
To think I had imagined Paradise
In the form of such a library.

Something, certainly not termed
Fate, rules on such things;
Another had received in blurry
Afternoons both books and shadow.

Wandering through these slow corridors
I often feel with a vague and sacred dread
That I am another, the dead one, who must
Have trodden the same steps at the same time.

Which of the two is now writing this poem
Of a plural I and of a single shadow?
How important is the word that names me
If the anathema is one and indivisible?

Groussac or Borges, I see this darling
World deform and extinguish
To a pale, uncertain ash
Resembling sleep and oblivion”
Jorge Luis Borges

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