Billy Alcapone

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Gwangju Uprising:...
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Secondhand Time: ...
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  (page 236 of 471)
Jul 20, 2025 03:54PM

 
Devil on the Cross
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Mar 28, 2025 07:44AM

 
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Aleksandr Solzhenitsyn
“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”
Aleksandr Solzhenitsyn, The Gulag Archipelago 1918–1956

Arundhati Roy
“The only dream worth having is to dream that you will live while you are alive, and die only when you are dead. To love, to be loved. To never forget your own insignificance. To never get used to the unspeakable violence and vulgar disparity of the life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all to watch. To try and understand. To never look away. And never, never to forget.”
Arundhati Roy

Alexander Pushkin
“I have outlasted all desire,
My dreams and I have grown apart;
My grief alone is left entire,
The gleamings of an empty heart.

The storms of ruthless dispensation
Have struck my flowery garland numb,
I live in lonely desolation
And wonder when my end will come.

Thus on a naked tree-limb, blasted
By tardy winter's whistling chill,
A single leaf which has outlasted
Its season will be trembling still.”
Alexander Pushkin

Trinh T. Minh-ha
“you and I are close, we intertwine; you may stand on the other side of the hill once in awhile, but you may also be me while remaining what you are and what I am not.”
Trinh T. Minh-ha, Woman, Native, Other: Writing Postcoloniality and Feminism

Trinh T. Minh-ha
“Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition.”
Trinh T. Minh-ha, Woman, Native, Other: Writing Postcoloniality and Feminism

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