Olga Kerziouk

“During the years that both Stalin and Hitler were in power, more people were killed in Ukraine than anywhere else in the bloodlands, or in Europe, or in the world.”
― Timothy Snyder, Bloodlands: Europe Between Hitler and Stalin

“On the Ostankino channels the President's personal confessor, the Archimandrite Tikhon, dressed in a long black cassock and walking through Istanbul, is telling a prime-time tale about the fall of Byzantium, of how the great Orthodox Empire (to which Russia is the successor) was brought low by a mix of oligarchs and the West. Professional historians howl in protest at this pseudo-history, but the Kremlin is starting to use religion and the supernatural for its own ends. Byzantium and Muscovy could only flourish under one great autocrat, the Archimandrite states. This is why we need the President to be like a tsar.”
― Peter Pomerantsev, Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia

“There is a spate of prime-time documentaries about "psychological weapons." One is The Call of the Void. It features secret service men who inform the audience about the psychic weapons they have developed. The Russian military has "sleepers," psychics who can go into a trance and enter the world's collective uncounscious, its deeper soul, and from thence penetrate the minds of foreign statesmen to uncover their nefarious designs. One has entered the mind of the US president and then reconfigured the intentions of one of his advisers so that whatever hideous plan the US had hatched has failed to come off. The message is clear: if the secret services can see into the US president's mind, they could definitely see into yours; the state is everywhere, watching your every thought.”
― Peter Pomerantsev, Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia

“The brilliance of this new type of authoritarianism is that instead of simply oppressing opposition, as had been the case with twentieth-century strains, it climbs inside all ideologies and movements, exploiting and rendering them absurd.”
― Peter Pomerantsev