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Delay, Deny, Defe...
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Jia Tolentino
“Figuring out how to “get better” at being a woman is a ridiculous and often amoral project—a subset of the larger, equally ridiculous, equally amoral project of learning to get better at life under accelerated capitalism. In these pursuits, most pleasures end up being traps, and every public-facing demand escalates in perpetuity. Satisfaction remains, under the terms of the system, necessarily out of reach.”
Jia Tolentino, Trick Mirror

Deborah Eisenberg
“language . . . what exactly was it, and how did it happen? Celeste shrugged. “Some people think it was just business as usual—mutation, adaptation, selection, mutation, adaptation, selection, a slow continuity kind of thing, for hundreds of thousands of years. But other people think it happened incredibly fast, within about forty thousand years. And that this capacity that made it possible—this built-in capacity for the operation that lets us merge expressible things into other expressible things to make more and more complex expressible things—appeared in an instant! Which makes complete sense, even though it could not be more bizarre. One tiny molecular irregularity in one tiny fetus, in a very small population of humans somewhere in Africa! One instant! A universe-altering mutation!” “But what about . . . ,” he began, but ran aground. “What about the other stuff? The stuff we can’t manage to think?” “Yeah,” he said. “Or . . . well, I mean, yeah.” “Uh-huh, that’s a problem. Actually, Friedlander was pretty interested in that. In his opinion, language developed as a way for us to deceive ourselves into believing that we understand things, so then we can just go ahead and do stuff that’s more ruthless than what any other animal does. According to him, we can formulate like a fraction of what’s inside our heads and that what’s inside our heads is mostly . . . drainage, basically, sloshing around, that doesn’t have too much to do with what’s actually out there . . .” They looked at each other, and vague shapes, like amoebas, rose, morphed, blended, and faded between them. “But at least it’s all ours,” she said. “It’s the main unique thing we’ve got. It’s our gift.”
Deborah Eisenberg, Your Duck Is My Duck: Stories

Valeria Luiselli
“Conversations, in a family, become linguistic archaeology. They build the world we share, layer it in a palimpsest, give meaning to our present and future. The question is, when, in the future, we dig into our intimate archive, replay our family tape, will it amount to a story? A soundscape?”
Valeria Luiselli, Lost Children Archive

Ocean Vuong
“Some people say history moves in a spiral, not the line we have come to expect. We travel through time in a circular trajectory, our distance increasing from an epicenter only to return again, one circle removed.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Ramona Ausubel
“When she was twelve, she had walked from her house to the market with a short list from her mother and it had been peaceful. When she was thirteen, every pickup blew its horn. The drivers whistled. One year, you’re a kid with a carton of milk; the next, you are a body, visible to everyone.”
Ramona Ausubel, Awayland

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