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“Extortion through trust. "Patients confided the most intimate things to him, and also the most dangerous," said Adriana. "Politically dangerous, I mean. And then they expected him to divulge something too. So they wouldn't have to feel naked. He hated that. He hated it from the bottom of his heart. I don't want anybody to expect anything of me, he said then and stamped his foot. And why the devil is it so hard to keep my distance?”
― Night Train to Lisbon
― Night Train to Lisbon
“The stories others tell about you and the stories you tell about yourself: which come closer to the truth? Is it so clear that they are your own? Is one an authority on oneself? but that really isn't the question that concerns me. The real question is: In such stories, is there really a difference between true and false? In stories about the outside, surely. But when we set out to understand someone on the inside? Is that a trip that ever comes to an end? Is the soul a place of facts? Or are the alleged facts only the deceptive shadows of our stories?”
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“Many a teacher was afraid when Amadeu's concentrated look fell on him. Not that it was a rejecting, provoking or belligerent look. But it gave the explainer exactly one chance to get it right. If you made a mistake or showed uncertainty, his look wasn't lurking or contemptuous, you couldn't even read disappointment in it, no , he simply averted his eyes, didn't wanted to make you feel it, was polite and friendly as he left. But it was precisely this tangible desire not to would that was destructive.”
― Night Train to Lisbon
― Night Train to Lisbon
“In intimacy, we are clasped into one another, and the invisible bonds are liberating shackles. this clasping is imperious: it demands exclusivity. to share is to betray. But we want to love and touch not only one single person. What to do? control the various intimacies? Strict bookkeeping of subjects, words, gestures? Mutual knowledge and secrets? It would be a silent trickling poison.”
― Night Train to Lisbon
― Night Train to Lisbon
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