David Hwang

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World Order
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Pascal Mercier
“They aren't texts, Gregorius. What people say aren't texts. They simply talk.”
Pascal Mercier, Night Train to Lisbon

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
Ira Glass

Vladimir Lenin
“There are decades where nothing happens; and there are weeks where decades happen.”
Vladimir Ilyich Lenin

Pascal Mercier
“In intimacy, we are clasped into one another, and the invisible bonds are liberating shackles. this clasping is imperious: it demands exclusivity. to share is to betray. But we want to love and touch not only one single person. What to do? control the various intimacies? Strict bookkeeping of subjects, words, gestures? Mutual knowledge and secrets? It would be a silent trickling poison.”
Pascal Mercier, Night Train to Lisbon

Pascal Mercier
“Many a teacher was afraid when Amadeu's concentrated look fell on him. Not that it was a rejecting, provoking or belligerent look. But it gave the explainer exactly one chance to get it right. If you made a mistake or showed uncertainty, his look wasn't lurking or contemptuous, you couldn't even read disappointment in it, no , he simply averted his eyes, didn't wanted to make you feel it, was polite and friendly as he left. But it was precisely this tangible desire not to would that was destructive.”
Pascal Mercier, Night Train to Lisbon

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