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Book cover for The End Of Capitalism (As We Knew It): A Feminist Critique of Political Economy
Alternatives, whatever that disputed term might be taken to mean, are no longer simply jottings in the margins of a central text about global neoliberalization;
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Sarah Waters
“We have a name for your disease. We call it a hyper-aesthetic one. You have been encouraged to over-indulge yourself in literature; and have inflamed your organs of fancy.”
― Sarah Waters, Fingersmith

Madeleine Thien
“I like to think of home as a verb, something we keep recreating.”
― Madeleine Thien

Dionne Brand
“so don’t tell me how love will rescue me, I was carnivorous about love, I ate love to the ankles, my thighs are gnawed with love still and yet I cannot have loved, since living was all I could do and for that, I was caged in bone spur endlessly”
― Dionne Brand, Ossuaries

Ruth Ozeki
“she approached her memoir with a renewed sense of resolve. A rapprochement was what was needed. An unfinished book, left unattended, turns feral, and she would need all her focus, will, and ruthless determination to tame it again. She kicked the cat off her chair,”
― Ruth Ozeki, A Tale for the Time Being

Aimé Césaire
“In light of recent events—genocide in East Africa, the collapse of democracy throughout the continent, the isolation of Cuba, the overthrow of progressive movements throughout the so-called third world—some might argue that the moment of truth has already passed, that Césaire and Fanon’s predictions proved false. We’re facing an era where fools are calling for a renewal of colonialism, where descriptions of violence and instability draw on the very colonial language of “barbarism” and “backwardness” that Césaire critiques in these pages. But this is all a mystification; the fact is, while colonialism in its formal sense might have been dismantled, the colonial state has not. Many of the problems of democracy are products of the old colonial state whose primary difference is the presence of black faces. It has to do with the rise of a new ruling class—the class Fanon warned us about—who are content with mimicking the colonial masters,”
― Aimé Césaire, Discourse on Colonialism

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