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"«una boca de mujer sobre otra boca de mujer es una revolución enorme, y a las revoluciones se les teme» grité" — Jun 06, 2026 09:28AM
"«una boca de mujer sobre otra boca de mujer es una revolución enorme, y a las revoluciones se les teme» grité" — Jun 06, 2026 09:28AM
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"me encantaría poder fascinarme con cómo explica su proceso de escritura pero no puedo porque sigo en las páginas anteriores en las que habla de su gran amigo el que oops asesinó a su pareja" — Jun 04, 2026 03:00PM
"me encantaría poder fascinarme con cómo explica su proceso de escritura pero no puedo porque sigo en las páginas anteriores en las que habla de su gran amigo el que oops asesinó a su pareja" — Jun 04, 2026 03:00PM
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"«Aletea como imagino que aletea a veces / la heterosexualidad. Con desesperanza. Con algo / de prisa. Con ojos de jaula» excuse me" — Mar 17, 2026 03:40PM
"«Aletea como imagino que aletea a veces / la heterosexualidad. Con desesperanza. Con algo / de prisa. Con ojos de jaula» excuse me" — Mar 17, 2026 03:40PM
“What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?”
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“I'm not making a problem out of a personal question; I make of a personal question an absence of a problem.”
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“What desire can be contrary to nature since it was given to man by nature itself?”
― Madness and Civilization: A History of Insanity in the Age of Reason
― Madness and Civilization: A History of Insanity in the Age of Reason
“From the idea that the self is not given to us, I think there is only one practical consequence: we have to create ourselves as a work of art.”
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“There is not one but many silences, and they are an integral part of the strategies that underlie and permeate discourses.”
― The History of Sexuality, Volume 1: An Introduction
― The History of Sexuality, Volume 1: An Introduction
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