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The Haunted Libra...
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by Auralee Wallace (Goodreads Author)
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Book cover for The Strength of the Few (Hierarchy, #2)
We can spout a lifetime of words and they will echo and fade, and history will not remember a single one. I don’t like it either but when power is so entrenched, so impossibly distant, blood becomes the only possible currency of change.”
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Alix E. Harrow
“That’s all magic is, really: the space between what you have and what you need.”
― Alix E. Harrow, The Once and Future Witches

“Is it possible to have some kind of genetic memory of a place where you've never lived, but your ancestors have? Or am I just a sentimental fool, my judgement fuddled by nostalgia, Guinness, and the romance of the diaspora?”
― Pete McCarthy, McCarthy's Bar: A Journey of Discovery In Ireland

Robert Macfarlane
“But I had learned to see another type of wildness, to which I had once been blind: the wildness of natural life, the sheer force of ongoing organic existence, vigorous and chaotic. This wildness was not about asperity, but about luxuriance, vitality, fun. The weed thrusting through a crack in a pavement, the tree root impudently cracking a carapace of tarmac: these were wild signs, as much as the storm wave and the snowflake.”
― Robert Macfarlane, The Wild Places

“Because enchantment, by my definition, has nothing to do with fantasy, or escapism, or magical thinking: it is founded on a vivid sense of belongingness to a rich and many-layered world; a profound and whole-hearted participation in the adventure of life. The enchanted life presented here is one which is intuitive, embraces wonder and fully engages the creative imagination – but it is also deeply embodied, ecological, grounded in place and community. It flourishes on work that has heart and meaning; it respects the instinctive knowledge and playfulness of children. It understands the myths we live by; thrives on poetry, song and dance. It loves the folkloric, the handcrafted, the practice of traditional skills. It respects wild things, recognises the wisdom of the crow, seeks out the medicine of plants. It rummages and roots on the wild edges, but comes home to an enchanted home and garden. It is engaged with the small, the local, the ethical; enchanted living is slow living.”
― Sharon Blackie, The Enchanted Life: Unlocking the Magic of the Everyday

“Whether or not they contain the encapsulated wisdom of ages past, what is certain is that myths, fairy tales and folklore offer us a world imbued with participation mystique – a world in which humans are fully enmeshed. In this world, animals always have something to teach us, trees and plants can save or cure us, wise old men and women are waiting in the dark woods to help us, and a well may be a doorway to another world. Myths and folklore can put us back in touch with the seasons and turnings of the year, and they can restore our acceptance of the necessary cycles of life. They can also remind us that we have a responsibility to future generations, and to the planet as a whole. If we approach myth and story in non-human-centric ways, it places us more firmly into the wider life of the world: our personal story is enmeshed with a greater story of which we’re a part.”
― Sharon Blackie, The Enchanted Life: Unlocking the Magic of the Everyday

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