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Heartland: A Memo...
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Ron Hansen
“I have no roots anywhere else. I have no 'at home' but here. And I feel doomed. Like I'm riding to Hell on a fast horse. I'm not afraid of dying, but I don't want to die alone. I don't want some no one finding me finished off and asking a sheriff, 'Who's that ?”
Ron Hansen, The Kid

Alain Damasio
“Tout cela me confortait dans mon intuition, souvent moquée par mes amis, que l’homme était fondamentalement bon – à condition d’être en rapport direct et vital avec d’autres hommes. Impersonnel, un système social écarte l’homme de l’homme. Dans la lézarde ainsi creusée, la plante du ressentiment pousse et nourrit la fraude, le parasitisme et l’abus – puisqu’on ne voit jamais qui paie ni qui souffre de nos abus. On espère que c’est le système qui paie quand lui se contente de répartir les coûts et d’inoculer ce que chacun, par sa rancœur, fait subir de manière diffuse à tous. Les dysfonctionnements s’accroissent, les honnêtes gens s’en prennent aux saboteurs et bientôt les imitent … On se retrouve contraint, pour maintenir la cohésion sociale, d’instaurer un contrôle maniaque et vétilleux sur le moindre petit comportement fautif de chaque citoyen. Et ça donne Cerclon : la démocratie comme liberticide collectif …”
Alain Damasio, La Zone du dehors

Ron Hansen
“Are you even aware of hot hot and cold you are? How you seduce and then withdraw, tantalize and then retreat? Even with men you're like that. You're a mystery to people, you keep us off-balance and guessing. We have to presume what you're thinking or feeling. And instead of being frustrated we find ourselves fascinated, and we make things up about you out of our own hopes and needs and all the dangerous things we're afraid to do.”
Ron Hansen, The Kid

Ron Hansen
“I want people to notice God's actions in their lives and in the lives of others and to have sympathy for other people. I want them to see that there is something going on here that matters”
Ron Hansen, The Kid

Michael Punke
“Fusing heaven to earth, the Big Horn Mountains stood before him. A few clouds swirled around the highest peaks, furthering the illusion of a wall reaching forever upward. His eyes watered from the glare of the sun against snow, but he could not look away. Nothing in Glass’s twenty years on the plains had prepared him for such mountains.
Captain Henry had spoken often of the enormity of the Rockies, but Glass assumed his stories were infused with the standard dose of campfire embellishment. In actuality, Glass thought, Henry’s portrait had been woefully inadequate. Henry was a straightforward man, and his descriptions focused on the mountains as obstacles, barriers to be surmounted in the drive to connect a stream of commerce between east and west. Missing entirely from Henry’s description had been any hint of the devout strength that flowed into Glass at the sight of the massive peaks. […]
His awe of the mountains grew in the days that followed, as the Yellowstone River led him nearer and nearer. Their great mass was a marker, a benchmark fixed against time itself. Others might feel disquiet at the notion of something so much larger than themselves. But for Glass, there was a sense of sacrament that flowed from the mountains like a font, an immortality that made his quotidian pains seem inconsequential.”
Michael Punke, The Revenant

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