Mary

“Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency has not yet wrought itself into the coarse emotion of mankind, and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.”
― George Eliot

“We might believe that our world embraced everything, we might do our thing down here on the beach, drive around in our cars, phone each other and chat, visit one another, eat and drive and sit indoors imbibing the faces and opinions and fates of those appearing on the TV screen in this strange, semi-artificial symbiosis we inhabited and lull ourselves for longer and longer, year upon year, into thinking that it was all there was, but if on the odd occasion we were to raise our gaze to this, the only possible thought was one of incomprehension and impotence, for in fact how small and trivial was the world we allowed ourselves to be lured by? Yes, of course, the dramas we saw were magnificent, the images we internalized sublime and sometimes also apocalyptic, but be honest, slaves, what part did we play in them? None.”
― Karl Ove Knausgaard

“I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.”
― Elena Ferrante, My Brilliant Friend

“All that I hope to say in books, all that I ever hope to say, is that I love the world.”
― E.B. White