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Is a River Alive?
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by Robert Macfarlane (Goodreads Author)
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"Mi sento come quando lessi la città delle bestie a 12 anni" Jun 15, 2026 12:58AM

 
Warrior Princess ...
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by Brigid Kemmerer (Goodreads Author)
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Maggie Stiefvater
“You can be just friends with people, you know," Orla said. "I think it's crazy how you're in love with all those raven boys."

Orla wasn't wrong, of course. But what she didn't realize about Blue and her boys was that they were all in love with one another. She was no less obsessed with them than they were with her, or one another, analyzing every conversation and gesture, drawing out every joke into a longer and longer running gag, spending each moment either with one another or thinking about when next they would be with one another. Blue was perfectly aware that it was possible to have a friendship that wasn't all-encompassing, that wasn't blinding, deafening, maddening, quickening. It was just that now that she'd had this kind, she didn't want the other.”
Maggie Stiefvater, Blue Lily, Lily Blue

Leigh Bardugo
“She'd laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.”
Leigh Bardugo, Six of Crows

Leigh Bardugo
“I would have come for you. And if I couldn't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together-knives drawn, pistols blazing. Because that's what we do. We never stop fighting.”
Leigh Bardugo, Crooked Kingdom

Sarah J. Maas
“Libraries were full of ideas—perhaps the most dangerous and powerful of all weapons.”
Sarah J. Maas, Throne of Glass

Italo Calvino
“Ombrosa non c’è più. Guardando il cielo sgombro, mi domando se è davvero esistita. Quel frastaglio di rami e foglie, biforcazioni, lobi, spiumii, minuto e senza fine, e il cielo a sprazzi irregolari e ritagli, forse c’era solo perché ci passasse mio fratello con suo leggero passo di codibugnolo, era un ricamo fatto di nulla che assomiglia a questo filo d’inchiostro, come l’ho lasciato correre per pagine e pagine, zeppo di cancellature, di rimandi, di sgorbi nervosi, di macchie, di lacune, che a momenti si sgrana in grossi acini chiari, a momenti si infittisce in segni minuscoli come semi puntiformi, ora si ritorce su se stesso, ora si biforca, ora collega grumi di frasi con contorni di foglie o di nuvole, e poi si intoppa, e poi ripiglia a attorcigliarsi, e corre e corre e si sdipana e avvolge un ultimo grappolo insensato di parole idee sogni ed è finito.”
Italo Calvino, The Baron in the Trees

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