“I felt tired, but I pitched the ball back at her. "You want me to talk about myself, right? Let me tell you what 'self' means to me. The self, myself, the self as I see it, is composed mainly of selected memories from my history. I am not what I am doing now. I am what I have done, and the edited version of my past seems more real to me than what I am at this moment. I don't know who or what I really am. The present is fleeting and intangible. No one in China wants to talk about his past, because nobody wants to paint his face black. Our past is not a flattering picture, and no one wants to look at it for long. Yet what we were in fixed and final. It is the basis for predictions of what we will be in the future. To tell you truth, I identify with what no longer exists more than what actually is. We have lied about what we actually are, and that, unfortunately, will be your book. So would you still like me to talk about myself?”
― Katherine
― Katherine
“He'll mind. I can see that he's very possessive of you--and very protective." He paused, then said, "Let him mind, Shori. Talk to him. Help him. Reassure him. Stop Violence. But let him feel what he feels and settle his feelings his own way."
"All right."
"...Let them see that you trust them and let them solve their own problems, make their own decisions. Do that and they will willingly commit their lives to you. Bully them, control them out of fear or malice or just for your own convenience, and after a while, you'll have to spend all your time thinking for them, controlling them, and stifling their resentment.”
― Fledgling
"All right."
"...Let them see that you trust them and let them solve their own problems, make their own decisions. Do that and they will willingly commit their lives to you. Bully them, control them out of fear or malice or just for your own convenience, and after a while, you'll have to spend all your time thinking for them, controlling them, and stifling their resentment.”
― Fledgling
“The writer seems constrained, not by his own free will but by some powerful and unscrupulous tyrant who has him in thrall, to provide a plot, to provide comedy, tragedy, love interest, and an air of probability embalming the whole so impeccable that if all his figures were to come to life would find themselves dressed down to the last button of their coats in the fashion of the hour. The tyrant is obeyed; the novel is done to a turn. But sometimes, more and more often as time goes by, we suspect a momentary doubt, a spasm of rebellion, as pages fill themselves in the customary way. Is life like this? Must novels be like this?”
―
―
“They felt that conscientization had to precede any efforts towards participation in and for development. Although this concept was pretty much in vogue at the time...I felt an intuitive dislike for it. It seemed to me that it contained an implicit assumption--sometimes even explicit--that a certain state of ignorance or unawareness prevails among the rural poor with respect to their real problems. I had never been willing to believe that this is the case.”
― From the Outside Looking In: Experiences in Barefoot Economics
― From the Outside Looking In: Experiences in Barefoot Economics
“The idea that bisexuals can choose their sexuality stems from a standpoint that sees choice as a negative or as a mark of illegitimacy. In a movement where the dominant discourse relies on a lack of choice as its political path to equal rights, this lack of choice (the "born this way" argument) becomes a "tool" for attaining legitimacy and acceptance by society...this argument marks immutability--this is "nature--as authentic and therefore legitimate, while marking choice--that is "culture"--as unauthentic and illegitimate.”
―
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Sci-fi Women
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— last activity Jun 13, 2022 03:06PM
A discussion of women in literary science fiction.
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