

“It's not a remarkable note except for one thing. The typeface Tony used to print it is the exact typeface Kubrick used for the posters and title sequences of 'Eyes Wide Shut' and '2001'.
'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.'
'Is this the kind of thing you and Kubrick used to talk about?' I asked.
'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.”
― Lost At Sea: The Jon Ronson Mysteries
'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.'
'Is this the kind of thing you and Kubrick used to talk about?' I asked.
'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.”
― Lost At Sea: The Jon Ronson Mysteries

“The most painful thing is losing yourself in the process of loving someone too much, and forgetting that you are special too.”
― Men Without Women
― Men Without Women

“I didn't realize he was a drunk driver,' I said. 'The other superheroes inferred it was just a regular, random guy you were trying to force a taco onto. But still' - I indicate the nearby crack dealers - 'the Taco Incident surely demonstrates how things can inadvertently spiral.”
― Lost At Sea: The Jon Ronson Mysteries
― Lost At Sea: The Jon Ronson Mysteries

“This place is packed with beautiful hipsters. While the Coney Island bombast radiated sincerity, everything here seems more ironic. When someone in the crowd ironically chants, 'USA!' someone else ironically chants back, 'Mother Russia.”
― Lost At Sea: The Jon Ronson Mysteries
― Lost At Sea: The Jon Ronson Mysteries
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