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The Icarus Decept...
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The Keepers of Li...
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“When I really like something, I tend to never listen to it again. I want to remember the feeling even more than I want to remember the music. If you get that record back out, you risk learning that it’s not as good in reality as it is inside of you. Better to have the memory than to go back and have to adjust your truth. And even if it is every bit as good, you’re just going to deconstruct it. You’re going to use your brain instead of your feelings. As you get older, feelings are hard to come by. - Richard Nichols”
Questlove, Mo' Meta Blues: The World According to Questlove
tags: music

Wendell Berry
“Good human work honors God's work. Good work uses no thing without respect, both for what it is in itself and for its origin. It uses neither tool nor material that it does not respect and that it does not love. It honors nature as a great mystery and power, as an indispensable teacher, and as the inescapable judge of all work of human hands. It does not dissociate life and work, or pleasure and work, or love and work, or usefulness and beauty. To work without pleasure or affection, to make a product that is not both useful and beautiful, is to dishonor God, nature, the thing that is made, and whomever it is made for. This is blasphemy: to make shoddy work of the work of God. But such blasphemy is not possible when the entire Creation is understood as holy and when the works of God are understood as embodying and thus revealing His spirit. (pg. 312, Christianity and the Survival of Creation)”
Wendell Berry, The Art of the Commonplace: The Agrarian Essays

“In a second, fate can send a bus crashing into you and change your life---or not.”
Alison Wright

Steven Pressfield
“The drawing is also a reminder that there’s an artist within each of us, and we must encourage that artist to do the work, to make something that matters, regardless of anything else that is going on.”
Steven Pressfield, Do the Work

Jaron Lanier
“An endless series of gambits backed by gigantic investments encouraged young people entering the online world for the first time to create standardized presences on sites like Facebook. Commercial interests promoted the widespread adoption of standardized designs like the blog, and these designs encouraged pseudonymity in at least some aspects of their designs, such as comments, instead of the proud extroversion that characterized the first wave of web culture.

Instead of people being treated as the sources of their own creativity, commercial aggregation and abstraction sites presented anonymized fragments of creativity as products that might have fallen from the sky or been dug up from the ground, obscuring the true sources.”
Jaron Lanier, You Are Not a Gadget

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