Nicolas Hoffmann

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Happiness in God:...
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A Little History ...
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Pearls Gets Put i...
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Ron Hansen
“Jesse sat low in the chair with his boots kicked out, drew off the soft red cap by its cotton ball, then reached out and snuggled Tim close to his chest. He said, “Let me tell you a secret, son: there’s always a mean old wolf in Grandma’s bed, and a worm inside the apple. There’s always a daddy inside the Santa suit. It’s a world of trickery.”
Ron Hansen, The Assassination of Jesse James by the Coward Robert Ford

Ron Hansen
“Bob was going on twenty-two when he went back to Kansas City to gamble for a living. He was dapper, glamorous, physically strong, comparatively rich, and psychologically injured. By his own approximation, Bob had by then assassinated Jesse over eight hundred times, and each repetition was much like the principal occasion: he suspected no one in history had ever so often or so publicly recapitulated an act of betrayal, and he imagined that no degree of grief or penitence could change the country’s ill-regard for him.”
Ron Hansen, The Assassination of Jesse James by the Coward Robert Ford

Ron Hansen
“A correspondent asked why, if Bob was right-handed, he’d gripped the gun with his left, and Bob answered, as if nothing further needed saying, “Jesse was left-handed.”
Ron Hansen, The Assassination of Jesse James by the Coward Robert Ford

Ron Hansen
“He began: “Jesse James was a lad who killed many a man. He robbed the Glendale train. He stole from the rich and he gave to the poor, he’d a hand and a heart and a brain.” The man strolled the room, coming so near Bob that Bob pulled back his crossed legs as the man sang the chorus in a higher pitch. “Oh, Jesse had a wife to mourn for his life, three children, they were brave; but that dirty little coward that shot Mister Howard has laid Jesse James in his grave.”
Ron Hansen, The Assassination of Jesse James by the Coward Robert Ford

Hunter S. Thompson
“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .

History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.

My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .

And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

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