Michelle

“Van Uoc felt the stab of a sad truth: she and her mother would never be as close as her mother and grandmother had been.
Her mother got up, stretched her tidy, graceful frame and headed for the kitchen. Van Uoc wanted to be able to offer her some comfort, but what could she say? Her mother was right. The two of them represented an irreconcilable cultural split. Distance between them was inevitable.”
― Fiona Wood, Cloudwish

“Careful," she called out to me, her voice sharp; part admonishment, part warning. But I'd been that way all this time, and it hadn't changed a thing. Maybe it was better to barrel through life, breaking fragile things and catching on every jagged edge. Neat or messy, calm or crazy, I still ended up in this same place.”
― Sarah Dessen, Once and for All

“Never listen to fools who dis Jane Eyre as being a story about a girl who gets her mean man. This is a character who gets what she wants and lives on her own terms by having moral fortitude, intelligence, courage, imagination and a will of iron. And that is one hell of a checklist. Imagine Charlotte Brontë writing this book in 1847. What a powerful story for women living at that time!”
― Fiona Wood, Cloudwish

“I'm not engineer educated, but I am an adrenaline junkie. Demolition derbies, drag racing, driving fast--when I gave them up, I tried to think of something I could do to replace them, something that would give me that rush. I love the thrill of impending, weightless doom, so I built something to give me those feelings all the time."
As he stands, hands on hips, nodding at the Blue Flash, I think about impending, weightless doom. It's a phrase I like and understand. I tuck it away in the corner of my mind to pull out later, maybe for a song.
I say, "You may be the most brilliant man I have ever met." I like the idea of something that can give you those feelings all the time. I want something like that, and then I look at Violet and think: .”
― Jennifer Niven, All the Bright Places