Kathy

“The stillness and stasis of bed are the perfect opposite of travel: inertia is what I've come to consider the default mode, existentially and electronically speaking. Bed, its utter inactivity, offers a glimpse of eternity, without the drawback of being dead.”
― Lynne Sharon Schwartz, Not Now, Voyager: A Memoir

“I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless.”
― Susan Hill, Howards End Is on the Landing: A Year of Reading from Home

“People of very different opinions--friends who can discuss politics, religion, and sex with perfect civility--are often reduced to red-faced rage when the topic of conversation is the serial comma or an expression like more unique. People who merely roll their eyes at hate crimes feel compelled to write jeremiads on declining standards when a newspaper uses the wrong form of its. Challenge my most cherished beliefs about the place of humankind in God's creation, and while I may not agree with you, I'll fight to the death for your right to say it. But dangle a participle in my presence, and I'll consider you a subliterate cretin no longer worth listening to, a menace to decent society who should be removed from the gene pool before you do any more damage.”
― Jack Lynch, The Lexicographer's Dilemma: The Evolution of "Proper" English, from Shakespeare to South Park

“Fast reading of a great novel will get us the plot. It will get us names, a shadowy idea of characters, a sketch of settings. It will not get us subtleties, small differentiations, depth of emotion and observation, multilayered human experience, the appreciation of simile and metaphor, any sense of context, any comparison with other novels, other writers. Fast reading will not get us cadence and complexities of style and language. It will not get us anything that enters not just the conscious mind but the unconscious. It will not allow the book to burrow down into our memory and become part of ourselves, the accumulation of knowledge and wisdom and vicarious experience which helps to form us as complete human beings. It will not develop our awareness or add to the sum of our knowledge and intelligence. Read parts of a newspaper quickly or an encyclopaedia entry, or a fast-food thriller, but do not insult yourself or a book which has been created with its author's painstakingly acquired skill and effort, by seeing how fast you can dispose of it.”
― Susan Hill, Howards End Is on the Landing: A Year of Reading from Home