Kathy
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Kathy

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How the Story Goe...
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by Andrew Forrester (Goodreads Author)
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Ira B. Nadel
“In many ways. . .the completeness of biography, the achievement of its professionalization, is an ironic fiction, since no life can ever be known completely, nor would we want to know every fact about an individual. Similarly, no life is ever lived according to aesthetic proportions. The "plot" of a biography is superficially based on the birth, life and death of the subject; "character," in the vision of the author. Both are as much creations of the biographer, as they are of a novelist. We content ourselves with "authorized fictions.”
Ira Bruce Nadel, Biography: Fiction, Fact, and Form

“People of very different opinions--friends who can discuss politics, religion, and sex with perfect civility--are often reduced to red-faced rage when the topic of conversation is the serial comma or an expression like more unique. People who merely roll their eyes at hate crimes feel compelled to write jeremiads on declining standards when a newspaper uses the wrong form of its. Challenge my most cherished beliefs about the place of humankind in God's creation, and while I may not agree with you, I'll fight to the death for your right to say it. But dangle a participle in my presence, and I'll consider you a subliterate cretin no longer worth listening to, a menace to decent society who should be removed from the gene pool before you do any more damage.”
Jack Lynch, The Lexicographer's Dilemma: The Evolution of "Proper" English, from Shakespeare to South Park

“There's no such thing as an unabridged dictionary.”
Jack Lynch, The Lexicographer's Dilemma: The Evolution of "Proper" English, from Shakespeare to South Park

Pat Conroy
“In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers.”
Pat Conroy, My Reading Life

Henry Seidel Canby
“There must always be a fringe of the experimental in literature--poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve.”
Henry Seidel Canby, Saturday Papers: Essays on Literature from The Literary Review

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