“Romantic poetry, on the other hand, is the expression of the secret attraction to a choas which lies concealed in the very bosom of the ordered universe, and is perpetually striving for marvellous births; the life-giving spirit of primal love broods here anew on the face of the water. The former (the antique) is more simple, clear, and like to nature in the self-existent perfection of her separate works; the latter (the romantic) notwithstanding its fragmentary appearance, approaches more to the secret of the universe.”
― Lectures on Dramatic Art and Literature
― Lectures on Dramatic Art and Literature
“Alas! it is the artificial refinements, the oppressive burden of a relaxing and deadening superfluity which render man indifferent to the value of life: when it is stripped of all foreign appendages, though borne down with sufferings so that the naked existence alone remains, still will its sweetness flow from the heart at every pulse through all the veins.”
― Lectures on Dramatic Art and Literature
― Lectures on Dramatic Art and Literature
“But, as in sculpture, they were fond of dispensing as much as possible with dress, for the sake of exhibiting the more essential beauty of the figure; on the stage they would endeavour, from an opposite principle, to clothe as much as they could well do, both from a regard to decency, and because the actual forms of the body would not correspond sufficiently with the beauty of the countenance. They would also exhibit their divinities, which in sculpture we always observe either entirely naked, or only half covered, in a complete dress.”
― Lectures on Dramatic Art and Literature
― Lectures on Dramatic Art and Literature
“If we reflect a moment, we shall find that even in the present day, on our own stage, the infallible and inexhaustible source of the ludicrous is the same ungovernable impulses of sensuality in collision with higher duties; or cowardice, childish vanity, loquacity, gulosity, laziness, &c. Hence, in the weakness of old age, amorousness is the more laughable, as it is plain that it is not mere animal instinct, but that reason has only served to extend the dominion of the senses beyond their proper limits. In drunkenness, too, the real man places himself, in some degree, in the condition of the comic ideal.”
― Lectures on Dramatic Art and Literature
― Lectures on Dramatic Art and Literature
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