idaeae

“And, at such a time, for a few of us there will always be a tugging at the heart—knowing a precious moment had gone and we not there.”
― J.L. Carr, A Month in the Country

“[I]n every real part of the existing world, as well as in every real individual. positive and negative traits are always combined. because there is always a reason for praise as well as for abuse. Such an explanation has a static and mechanical character; it conceives parts of the world scene as isolated, immovable. and completed. Moreover. separate features are stressed according to abstract moral principles. In Rabelais' novel praise-abuse is aimed at the entire present and at each of its parts. for all that exists dies and is born simultaneously, combines the past and the future, the obsolete and the youthful, the old truth and the new truth. However small the part of the existing world we have chosen. we shall find in it the same fusion. And this fusion is deeply dynamic: all that exists, both in the whole and in each of its parts. is in the act of becoming. and therefore comic (as all that is becoming), but its nature is also ironic and joyful.”
― Mikhail Bakhtin, Rabelais and His World

“Books and doors are the same thing. You open them, and you go through into another world.”
― Jeanette Winterson

“I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.”
― Clarissa Pinkola Estés, Women Who Run With the Wolves