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Ross Bennett

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Book cover for Several Short Sentences About Writing
One by one, each sentence takes the stage. It says the very thing it comes into existence to say. Then it leaves the stage. It doesn’t help the next one up or the previous one down. It doesn’t wave to its friends in the audience Or pause to ...more
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Larry Brooks
“Genre is a subset of concept. Setting is a subset of scene execution. Backstory is a subset of character. Subplot is a subset of structure, and unfolds in context to concept. And so on.”
Larry Brooks, Story Engineering

Sara  Pascoe
“We have to be careful with language because it creates the world.”
Sara Pascoe, Sex Power Money

Larry Brooks
“There are many ways to define story. Story is character. Story is conflict. Story is narrative tension. Story is thematic resonance. Story is plot. Trouble is, all of these are partially correct, while none of them, when viewed as isolated definitions, are completely correct. Even if you combine a few of them, they still fall short of expressing the essence of a great story. Without that essence, what you have is a kitchen table full of ingredients waiting for a recipe that allows them to become a delicious sum in excess of their individual parts. That turns your story into a literary feast.”
Larry Brooks, Story Engineering

Larry Brooks
“writing voice get in the way. Less is more. Sparingly clever or sparsely eloquent is even better.”
Larry Brooks, Story Engineering

Larry Brooks
“Here then, at the most introductory level of definition, and in no particular order, are the Six Core Competencies of Successful Storytelling: CONCEPT—The idea or seed that evolves into a platform for a story. Best and most empowering when expressed as a “what if?” question. The answer leads to further “what if?” questions in a branching and descending hierarchy, and the collective whole of those choices and answers becomes your story. CHARACTER—Don’t leave home without one. Every story needs a hero. We don’t need to like him (contrary to what your high school composition teacher told you), but we do need to root for him. THEME —Yes, it’s like putting smoke into a bottle, but it can be done. Not to be confused with concept, theme is what your story is illuminating about real life. STRUCTURE—What comes first, what comes next, and so forth … and why. And no, you can’t just make it up for yourself. There are expectations and standards here. Knowing what they are is the first step toward getting published. SCENE EXECUTION—You can know the game, but if you can’t play it well you can’t win. A story is a series of scenes with some connective tissue in place. And there are principles and guidelines to make them work. WRITING VOICE—The coat of paint, or if you prefer, the suit of clothes, that delivers the story to the reader. The biggest risk here is letting your writing voice get in the way. Less is more. Sparingly clever or sparsely eloquent is even better.”
Larry Brooks, Story Engineering

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