Rigid, the skeleton of habit alone upholds the human frame.


“- Hogy lehet valaki ilyen törékeny, és amellett ilyen hajlíthatatlan? - kérdezte fogcsikorgatva. - A dereka olyan a tenyeremben, mint a nádszál. - Alaposan megrázott, mikor ezt mondta. - Két ujjam között szét tudnám morzsolni, de mi hasznom lenne belőle? Hogy néz! Milyen elszántan, milyen kihívóan, milyen megvetően! Ez több, mint bátorság, ez kegyetlen diadal. Akármit csinálok a kalitkájával, nem jutok közelebb ehhez a szépséges, vad teremtéshez. Ha szétszaggatom, eltöröm a börtönét, a fogoly lélek kiszabadul: hiába vennék erőt a házán, az égbe röppen, mielőtt a halandó testet birtokomba vehetném. Én téged akarlak, lélek, a te akaratodat és energiádat, a te erényedet és ártatlanságodat, nem pusztán ezt a törékeny testet. Ha magadtól jönnél, idesimulnál a szívemre; de ha akaratod ellenére ejtelek rabul, akkor kisiklasz a karomból, mint valami lidérc, és eltűnsz, mielőtt illatodat belélegezhetném. Jane, szerelmem, jöjj!”
― Jane Eyre
― Jane Eyre

“Ha az emberek tudnák, mikor fognak meghalni, valószínűnek tartom, hogy egyáltalán nem is élnének.”
―
―

“Girls, I was dead and down
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.”
― The World's Wife
in the Underworld, a shade,
a shadow of my former self, nowhen.
It was a place where language stopped,
a black full stop, a black hole
Where the words had to come to an end.
And end they did there,
last words,
famous or not.
It suited me down to the ground.
So imagine me there,
unavailable,
out of this world,
then picture my face in that place
of Eternal Repose,
in the one place you’d think a girl would be safe
from the kind of a man
who follows her round
writing poems,
hovers about
while she reads them,
calls her His Muse,
and once sulked for a night and a day
because she remarked on his weakness for abstract nouns.
Just picture my face
when I heard -
Ye Gods -
a familiar knock-knock at Death’s door.
Him.
Big O.
Larger than life.
With his lyre
and a poem to pitch, with me as the prize.
Things were different back then.
For the men, verse-wise,
Big O was the boy. Legendary.
The blurb on the back of his books claimed
that animals,
aardvark to zebra,
flocked to his side when he sang,
fish leapt in their shoals
at the sound of his voice,
even the mute, sullen stones at his feet
wept wee, silver tears.
Bollocks. (I’d done all the typing myself,
I should know.)
And given my time all over again,
rest assured that I’d rather speak for myself
than be Dearest, Beloved, Dark Lady, White Goddess etc., etc.
In fact girls, I’d rather be dead.
But the Gods are like publishers,
usually male,
and what you doubtless know of my tale
is the deal.
Orpheus strutted his stuff.
The bloodless ghosts were in tears.
Sisyphus sat on his rock for the first time in years.
Tantalus was permitted a couple of beers.
The woman in question could scarcely believe her ears.
Like it or not,
I must follow him back to our life -
Eurydice, Orpheus’ wife -
to be trapped in his images, metaphors, similes,
octaves and sextets, quatrains and couplets,
elegies, limericks, villanelles,
histories, myths…
He’d been told that he mustn’t look back
or turn round,
but walk steadily upwards,
myself right behind him,
out of the Underworld
into the upper air that for me was the past.
He’d been warned
that one look would lose me
for ever and ever.
So we walked, we walked.
Nobody talked.
Girls, forget what you’ve read.
It happened like this -
I did everything in my power
to make him look back.
What did I have to do, I said,
to make him see we were through?
I was dead. Deceased.
I was Resting in Peace. Passé. Late.
Past my sell-by date…
I stretched out my hand
to touch him once
on the back of the neck.
Please let me stay.
But already the light had saddened from purple to grey.
It was an uphill schlep
from death to life
and with every step
I willed him to turn.
I was thinking of filching the poem
out of his cloak,
when inspiration finally struck.
I stopped, thrilled.
He was a yard in front.
My voice shook when I spoke -
Orpheus, your poem’s a masterpiece.
I’d love to hear it again…
He was smiling modestly,
when he turned,
when he turned and he looked at me.
What else?
I noticed he hadn’t shaved.
I waved once and was gone.
The dead are so talented.
The living walk by the edge of a vast lake
near, the wise, drowned silence of the dead.”
― The World's Wife

“I'm not the first or the last
to stand on a hillock,
watching the man she married
prove to the world
he's a total, utter, absolute, Grade A pillock.
- Mrs Icarus”
― The World's Wife
to stand on a hillock,
watching the man she married
prove to the world
he's a total, utter, absolute, Grade A pillock.
- Mrs Icarus”
― The World's Wife

“She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.”
― The Lady of Shalott
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.”
― The Lady of Shalott
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