Justin Tanner

“friends and I used to play an invented parlor game called the Worst Records Never Made. The point was to hypothesize the most stunningly inappropriate albums we could imagine—pairings of artists and material so horrific that even the famously dunderheaded major labels would hardly consider making them. Most of our inspirations have been lost to memory, but the notion of discs like “Yodel with the Berlin Philharmonic,” “The Three Tenors Sing Gilbert and Sullivan,” and—my favorite—“The Chipmunks Present Your Favorite Spirituals” can still inspire what P. G. Wodehouse used to call “the raised eyebrow,”
― Tim Page, Parallel Play

“When you long with all your heart for someone to love you, a madness grows there that shakes all sense from the trees and the water and the earth. And nothing lives for you, except the long deep bitter want. And this is what everyone feels from birth to death. ”
― Denton Welch

“Our civilization is doomed to a short life: its component parts are too heterogeneous. I personally am content to see everything in the process of decay. The bigger the bombs, the quicker it will be done. The world is visually too hideous for one to make the attempt to preserve it. Let it go.”
― Paul Bowles, Pages From Cold Point and Other Stories

“They had met one another, at first not very often, throughout the heady autumn of the first London air raids. Never had a season been more felt; one bought the poetic sense of it with the sense of death. Out of mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. From the moment of waking you tasted the sweet autumn not less because of an acridity on the tongue and nostrils; and as the singed dust settled and smoke diluted you felt more and more called upon to observe daytime as a pure and curious holiday from fear. All through London the ropings-off of dangerous tracts of streets made islands of exalted if stricken silence, and people crowded against the ropes to admire the sunny emptiness on the other side. The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phatasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power – somewhere there was a source from which heavy motion boiled, surged and, not to be damned up, force itself into new channels.”
― Elizabeth Bowen, The Heat of the Day