Raquel Matos

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A Portrait of the...
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Anne Carson
“Humans in love are terrible. You see them come hungering at one another like prehistoric wolves, you see something struggling for life in between them like a root or a soul and it flares for a moment, then they smash it. The difference between them smashes the bones out. So delicate the bones.”
Anne Carson, Plainwater: Essays and Poetry

Anne Sexton
“If I could blame it on all
the mothers and fathers of the world,
they of the lessons, the pellets of power,
they of the love surrounding you like batter ...
Blame it on God perhaps?
He of the first opening
that pushed us all into our first mistakes?
No, I'll blame it on Man
For Man is God
and man is eating the earth up
like a candy bar
and not one of them can be left alone with the ocean
for it is known he will gulp it all down.
The stars (possibly) are safe.
At least for the moment.
The stars are pears
that no one can reach,
even for a wedding.
Perhaps for a death.”
Anne Sexton, The Awful Rowing Toward God

Ocean Vuong
“No, sir, destruction is not necessary for art.” I said that, not because I was certain, but because I thought my saying it would help me believe it.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Ocean Vuong
“All this time I told myself we were born from war—but I was wrong, Ma. We were born from beauty.
Let no one mistake us for the fruit of violence—but that violence, having passed through the fruit, failed to spoil it.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Ocean Vuong
“The most common English word spoken in the nail salon was sorry. It was the one refrain for what it meant to work in the service of beauty. Again and again, I watched as manicurists, bowed over a hand or foot of a client, some young as seven, say, "I'm sorry. I'm sorry. I'm so, so sorry," when they had nothing wrong. I have seen workers, you included, apologize dozens of times throughout a forty-five-minute manicure, hoping to gain warm traction that would lead to the ultimate goal, a tip--only to say sorry anyway when none was given.
In the nail salon, sorry is a tool one uses to pander until the word itself becomes currency. It no longer merely apologizes, but insists, reminds: I'm here, right here, beneath you. It is the lowering of oneself so that the client feels right, superior, and charitable. In the nail salon, one's definition of sorry is deranged into a new word entirely, one that's charged and reused as both power and defacement at once. Being sorry pays, being sorry even, or especially, when one has no fault, is worth every self-deprecating syllable the mouth allows. Because the mouth must eat.”
Ocean Vuong, On Earth We're Briefly Gorgeous

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