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Empire of Storms
Lisa is currently reading
by Sarah J. Maas (Goodreads Author)
bookshelves: currently-reading
Reading for the 2nd time
read in April 2025
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Lisa Lisa said: " finished this on Easter while at work. great way to spend a working holiday! that ending made me tear up! it was not sad, but moving! "

 
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Kameron Hurley
“We can pretend all we like that women are equal, ut as long as men and women are continually encouraged to supress the broad aspects of their humanity that we decry as "feminine", we're all screwed.
Because it's those things qe celebrate as "other" that make us truly human. It's what we label "soft" or "feminune" that makes civilization possible, It's our empathy, our ability to care and nurtureand connect. It's our ability to come together. To buld. To remake. Asking men to cut away their "feminine" traits asks them to cut away half their humanity, just as asking women to supress ther "masculine" traits asks them to deny their full autonomy.”
Kameron Hurley, The Geek Feminist Revolution

Kameron Hurley
“On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people.
Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.
As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down.
The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.
Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?
Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.
I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.
I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.
Stories that are not my own.
Funny, isn’t it? The power of story.
It’s why I picked up a pen.
I slay monsters, too.”
Kameron Hurley, The Geek Feminist Revolution

Kameron Hurley
“Let's be real: if women were "naturally" anything, societies wouldn't spend so much time trying to police every aspect of their lives”
Kameron Hurley, The Geek Feminist Revolution

Kameron Hurley
“I can think of only two movies with women killers we’re meant to sympathize with, and both because they’d been sexually assaulted—Thelma and Louise and Monster. And to be honest, I don’t imagine anyone would call the women in these films heroes. The popular comic book mercenary Red Sonja is, perhaps, a proper hero, but is, once again, motivated by a sexual assault. Male heroes are heroic because of what’s been done to women in their lives, often—the dead child, the dead wife. Women heroes are also heroic for what’s been done to women … to them.
We build our heroes, too often, on terrible things done to women, instead of creating, simply, heroes who do things, who persevere in the face of overwhelming odds because it’s the right thing to do.”
Kameron Hurley, The Geek Feminist Revolution

Kameron Hurley
“I was limited by stories that came before mine.
We are so often limited by our own expectations of stories, by the stories that came before, by the heroes who came before.… How is it we can bear to live with ourselves, as readers and storytellers, if we swallow those limitations without questioning them?”
Kameron Hurley, The Geek Feminist Revolution

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