Lisa

“On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people.
Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.
As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down.
The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.
Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?
Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.
I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.
I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.
Stories that are not my own.
Funny, isn’t it? The power of story.
It’s why I picked up a pen.
I slay monsters, too.”
― Kameron Hurley, The Geek Feminist Revolution

“I was limited by stories that came before mine.
We are so often limited by our own expectations of stories, by the stories that came before, by the heroes who came before.… How is it we can bear to live with ourselves, as readers and storytellers, if we swallow those limitations without questioning them?”
― Kameron Hurley, The Geek Feminist Revolution

“If you think there’s a thing—anything—women didn’t do in the past, you’re wrong.”
― Kameron Hurley, The Geek Feminist Revolution

“Asking men to cut away their “feminine” traits asks them to cut away half their humanity, just as asking women to suppress their “masculine” traits asks them to deny their full autonomy.
What makes us human is not one or the other—the fist or the open palm—it’s our ability to embrace both, and choose the appropriate action for the situation we’re in. Because to deny one half—to burn down the world or refuse to defend the world from those who would burn it—is to deny our humanity and become something less than human.”
― Kameron Hurley, The Geek Feminist Revolution