Michael Fielder

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All He Has Left
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by Chad Zunker (Goodreads Author)
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Good for You
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by Camille Pagán (Goodreads Author)
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Rich Blood
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by Robert Bailey (Goodreads Author)
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Henrik Ibsen
“I must make up my mind which is right – society or I.”
Henrik Ibsen, A Doll's House

Cormac McCarthy
“Pick a man, any man. That man there. See him. That man hatless. You know his opinion of the world. You can read it in his face, in his stance. Yet his complaint that a man’s life is no bargain masks the actual case with him. Which is that men will not do as he wishes them to. Have never done, never will do. That’s the way of things with him and his life is so balked about by difficulty and become so altered of its intended architecture that he is little more than a walking hovel hardly fit to house the human spirit at all. Can he say, such a man, that there is no malign thing set against him? That there is no power and no force and no cause? What manner of heretic could doubt agency and claimant alike? Can he believe that the wreckage of his existence is unentailed? No liens, no creditors? That gods of vengeance and of compassion alike lie sleeping in their crypt and whether our cries are for an accounting or for the destruction of the ledgers altogether they must evoke only the same silence and that it is this silence which will prevail?”
Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

Henrik Ibsen
“You see, there are some people that one loves, and others that perhaps one would rather be with.”
Henrik Ibsen, A Doll's House

Henrik Ibsen
“Mrs LINDE: When you've sold yourself once for the sake of others, you don't do it second time.”
Henrik Ibsen, A Doll's House

Fyodor Dostoevsky
“Shower upon him every earthly blessing, drown him in bliss so that nothing but bubbles would dance on the surface of his bliss, as on a sea...and even then every man, out of sheer ingratitude, sheer libel, would play you some loathsome trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive rationality his fatal fantastic element...simply in order to prove to himself that men still are men and not piano keys.”
Fyodor Dostoyevsky, Notes from Underground & The Grand Inquisitor

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