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David’s work builds upon Sahlins’s critique of Western economic and cultural models, in large part by incorporating insights gleaned from Russian thinkers—primarily Kropotkin and Bakunin, but also Dostoevsky and Bakhtin. It is noteworthy
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“You could choose to live in either America or Denmark. In high-tax Denmark, your disposable income after taxes and transfers would be around $15,000 lower than in the States. But in return for your higher tax bill, you would get universal health care (one with better outcomes than in the US), free education right up through the best graduate schools, worker retraining programs on which the state spends seventeen times more as a percentage of GDP than what is spent in America, as well as high-quality infrastructure, mass transit, and many beautiful public parks and other spaces. Danes also enjoy some 550 more hours of leisure time a year than Americans do. If the choice were put this way—you can take the extra $15,000 but have to work longer hours, take fewer vacation days, and fend for yourself on health care, education, retraining, and transport—I think most Americans would choose the Danish model.”
― Ten Lessons for a Post-Pandemic World
― Ten Lessons for a Post-Pandemic World
“It’s hard to know exactly how many children are killed or maimed by guns because in 1996, Rep. Jay Dickey, R-Ark., at the behest of the National Rifle Association (NRA) and weapons manufacturers, attached the Dickey Amendment to a must-pass omnibus spending bill, making it illegal for the CDC to keep track of or analyze the data. Congress simultaneously cut the CDC’s budget by the exact amount it had been spending to track gun violence.10 (Sixteen years later, Dickey essentially apologized in a Washington Post op-ed, calling for research into gun violence.11 As he later told ABC, “I wish I had not been so reactionary.”12)”
― The Hidden History of Guns and the Second Amendment: How to Talk about Race, Religion, Politics, and Other Polarizing Topics
― The Hidden History of Guns and the Second Amendment: How to Talk about Race, Religion, Politics, and Other Polarizing Topics
“But even when the names of Black fighters did not survive, stories of their exploits did. Half a century later, José Antonio Aponte, a free Black carpenter and the grandson of one of the Black militiamen who defended Havana against the British, painted pictures precisely of scenes like this, of Black troops taking British men prisoner, of military encampments guarded by Black soldiers. Indeed, Aponte would use those pictures to recruit Black men to a major conspiracy against slavery.”
― Cuba: An American History
― Cuba: An American History
“These endless ankle-twisting contradictions underfoot, amorphous, resistant, cutting, dull, become the uncountable futilities heaped upon one’s own shores by the surrounding ocean of indifference. If then one could elevate gloom into metaphysical despair, see the human race as no taller than that most depressing of life-forms, the lichen that stains so many of these bare stones black, one might, paradoxically, march on with a weightier stride that would soon outwalk the linear desert. Instead, the interminable dump of broken bits and pieces one is toiling along stubbornly remains the merely personal accumulation of petty worries, selfish anxieties, broken promises, discarded aspirations and other chips off a life-worn ego, that constitutes the path to one’s own particular version of nowhere.”
― Stones of Aran: Pilgrimmage
― Stones of Aran: Pilgrimmage
“WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY”
― Good Prose: The Art of Nonfiction
― Good Prose: The Art of Nonfiction
Q&A with Brian Lageose
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