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One Apocalypse
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Kingdom of Ash
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by Sarah J. Maas (Goodreads Author)
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The Unmaking of J...
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by Adrienne Young (Goodreads Author)
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— May 31, 2026 07:30PM

 
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Diana Gabaldon
“I had one last try.
"Does it bother you that I'm not a virgin?" He hesitated a moment before answering.
"Well, no," he said slowly, "so long as it doesna bother you that I am." He grinned at my drop-jawed expression, and backed toward the door.
"Reckon one of us should know what they're doing," he said. The door closed softly behind him; clearly the courtship was over.”
― Diana Gabaldon, Outlander

Diana Gabaldon
“Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body.

But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality.

In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.

The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves.

In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.”
― Diana Gabaldon, Dragonfly in Amber

Diana Gabaldon
“Oh, aye, Sassenach. I am your master . . . and you're mine. Seems I canna possess your soul without losing my own.”
― Diana Gabaldon, Outlander

Diana Gabaldon
“Blood of my Blood," he whispered, "and bone of my bone. You carry me within ye, Claire, and ye canna leave me now, no matter what happens, You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let ye go.”
― Diana Gabaldon , Dragonfly in Amber

Diana Gabaldon
“Lying on the floor, with the carved panels of the ceiling flickering dimly above, I found myself thinking that I had always heretofore assumed that the tendency of eigh­teenth-century ladies to swoon was due to tight stays; now I rather thought it might be due to the idiocy of eighteenth-century men. ”
― Diana Gabaldon, Dragonfly in Amber

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