Lydia Snow

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Klara and the Sun
Lydia Snow is currently reading
by Kazuo Ishiguro (Goodreads Author)
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Adrienne Rich
“the phantom of the man-who-would-understand,
the lost brother, the twin ---

for him did we leave our mothers,
deny our sisters, over and over?

did we invent him, conjure him
over the charring log,

nights, late, in the snowbound cabin
did we dream or scry his face

in the liquid embers,
the man-who-would-dare-to-know-us?

It was never the rapist:
it was the brother, lost,

the comrade/twin whose palm
would bear a lifeline like our own:

decisive, arrowy,
forked-lightning of insatiate desire

It was never the crude pestle, the blind
ramrod we were after:

merely a fellow-creature
with natural resources equal to our own.”
Adrienne Rich, The Dream of a Common Language

Anne Lamott
“Your problem is how you are going to spend this one and precious life you have been issued. Whether you're going to spend it trying to look good and creating the illusion that you have power over circumstances, or whether you are going to taste it, enjoy it and find out the truth about who you are.”
Anne Lamott

Anne Lamott
“You will lose someone you can’t live without,and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.”
Anne Lamott

Susan Griffin
“He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature.

And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.)

We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak.

But we hear.”
Susan Griffin, Woman and Nature: The Roaring Inside Her

Adrienne Rich
“in the nineteenth year and the eleventh month
speak your tattered Kaddish for all suicides:

Praise to life though it crumbled in like a tunnel
on ones we knew and loved

Praise to life though its windows blew shut
on the breathing-room of ones we knew and loved

Praise to life though ones we knew and loved
loved it badly, too well, and not enough

Praise to life though it tightened like a knot
on the hearts of ones we thought we knew loved us

Praise to life giving room and reason
to ones we knew and loved who felt unpraisable.

Praise to them, how they loved it, when they could.”
Adrienne Rich

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