Sushma Suresh Babu

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The Artist's Way:...
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Catch-22
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“Humans are a story telling species. Throughout history we have told stories to each other and ourselves as one of the ways to understand the world around us. Every culture has its creation myth for how the universe came to be, but the stories do not stop at the big picture view; other stories discuss every aspect of the world around us. We humans are chatterboxes and we just can't resist telling a story about just about everything.

However compelling and entertaining these stories may be, they fall short of being explanations because in the end all they are is stories. For every story you can tell a different variation, or a different ending, without giving reason to choose between them. If you are skeptical or try to test the veracity of these stories you'll typically find most such stories wanting. One approach to this is forbid skeptical inquiry, branding it as heresy. This meme is so compelling that it was independently developed by cultures around the globes; it is the origin of religion—a set of stories about the world that must be accepted on faith, and never questioned.”
Nathan Myhrvold

Kurt Vonnegut Jr.
“All people are insane. They will do anything at any time, and God help anybody who looks for reasons.”
Kurt Vonnegut, Mother Night

Milan Kundera
“They [human lives] are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven’s music, death under a train) into a motif, which then assumes a permanent place in the composition of the individual’s life. Anna could have chosen another way to take her life. But the motif of death and the railway station, unforgettably bound to the birth of love, enticed her in her hour of despair with its dark beauty. Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress.
It is wrong, then, to chide the novel for being fascinated by mysterious coincidences (like the meeting of Anna, Vronsky, the railway station, and death or the meeting of Beethoven, Tomas, Tereza, and the cognac), but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life a dimension of beauty.”
Milan Kundera, The Unbearable Lightness of Being

Milan Kundera
“She knew, of course that she was being supremely unfair, that Franz was the best man she ever had- he was intelligent, he understood her paintings, he was handsome and good-but the more she thought about it, the more she longed to ravish his intelligence, defile his kindheartedness, and violate his powerless strength”
Milan Kundera, The Unbearable Lightness of Being

Roberto Calasso
“The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.”
Roberto Calasso

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